The Unbelievable Gwenpool #6 piles on the metatextual plotlines by actually opening in her own universe, set shortly before her mysterious arrival in the main one. It’s a cute scene, at first tricking you into thinking that you’re actually reading an issue of Spider-Man, then revealing it to be a pre-Secret Wars comic. After that, Gwen complains that the then-upcoming event will probably interfere with the comic. She then hears an ominous rumbling noise and the flashback ends. Who knows: maybe the universe is offended at Gwen’s accusations, and seeks revenge.
This ties into the main plot as Gwen recounts her experiences with that comic in an attempt to convince Miles that she really can be helpful. Also, this image appears as the previous issue is briefly recapped:
I'm using this as my new profile picture. |
From Howard The Duck #10, one of the cosmic architects giving his thoughts on how to write a comic. It's a great story! |
Spider-Man! He has the proportional strength of a spider and the proportional research skills of an average high school student. |
Batroc and the gang eventually break her out, presumably killing innocent police officers in the process, but Gwen finally seems to be realizing that trying to be a Marvel character isn’t a game anymore.
Gwenpool: The lighthearted story about a fun-loving fangirl in her favorite comic—Who am I kidding, I can't joke about this!—goes to get a box of tissues— |
The Unbelievable Gwenpool #6 is available at the local comic book store. It is written by Christopher Hastings and drawn by Irene Strychalski.
Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or the Harry Potter books.