Person of Interest Recap - S05E06&07 - "A More Perfect Union" + "QSO"


This week, nothing is the same.

S05E06 – A More Perfect Union


Throughout this episode there was a feeling that this is the last time the show is going to be this lighthearted. That’s not to say it’s only going to be doom and gloom from here on out—the writers and producers know better than that, and there are going to be moments of levity in the future. It’s just that while the episode is interspersed with subplots hinting at an imminent turning point—which does begin at the very end, but we’ll get to that in a second.

The main plot is set at a wedding, and while I liked the mystery, the best part was seeing the lead trio—Finch, Reese and Root—in new roles and a new setting. It gave us Reese pretending to be a stripper cop while pretending to be an actual detective. We got Finch singing in an Irish accent. And, most importantly, it gave us Root saving the day while riding on horseback like a knight in shining armor, and then riding off with this week’s damsel in distress (a family photographer who accidentally stumbled on the crime of doping racehorses). I’m actually surprised the show hasn’t done a wedding episode before, as it feels like a perfect fit.


But as fun as the A plot is, it’s the subplots that’ll be more important going forward. First off, we return to Shaw. She has undergone thousands more identical simulations since we last saw her, as Samaritan is still trying to get her to reveal the team’s location. This time around Samaritan and Greer take a new route, with Samaritan still considering her its potential asset. They take her on a field trip, throughout which Greer shows her people who according to Samaritan, will cause countless deaths with their actions. And Samaritan is in position to prevent them, instead of just reacting to catastrophes. It’s an interesting and tempting idea—until we discover it’s all part of another simulation. It’s becoming harder and harder for Shaw to tell what’s real and what’s not.


Meanwhile Fusco continues his investigation, and with a new case given to him by Root (along with Bear), he finally finds out what happened to all those missing people. As everyone probably suspected, they’ve been killed by Samaritan—and hidden in an underground tunnel, which is set to be demolished by a mob-run demolitions company. Among the bodies are the man Fusco was investigating and Bruce Moran (Elias's friend), both of whom were investigating the fact that said demolitions company was contracted by someone other than one of the Five Families. And the bad news for Fusco? The demolitions begins this very instant.

S05E07 – QSO


Thankfully, Fusco survived the demolition of the tunnel—but ends up in a hospital room for the duration of the episode. And he’s officially had enough. He won’t talk to Reese and later chews out Finch over their decision to keep him in the dark. Finch claims they wanted to protect him, which is a hollow explanation after he almost died thanks to not knowing what he was up against. In the end Fusco winds up quitting the team and going out on his own. Luckily, even if he continues digging, he and his son have a shot at survival, provided by Root—who feels guilty over sending him on that case, and I suspect would gladly tell him what’s going on if she could. Instead, she provides him with an exit strategy—two fresh identities he can use to get off the grid.


The main plot in this episode is centered almost entirely around Root and her search for Shaw. After going through several identities, she finds herself in a producing role for a conspiracy nut radio show. The show’s host accidentally discovered weird static on the airwaves, sending what he assumes are undecipherable messages. Root guesses this has something to do with Samaritan, which will be very unhappy about someone learning something about it and will send its operatives. Sure enough, the host’s cryptologist buddy is killed and his death is set up as a suicide—and Reese discovers his body while the host seems to be still talking to him and trying to convince him not to end his life. As Root surmises, the killed person’s voice (who was a frequent caller for the conspiracy show) is simulated by Samaritan, using his own words to create an illusion of a living person speaking. And then it does the same thing with the host, while sending its operatives to kill him. Root saves him and that’s when Finch calls her with news. He has found the transmissions, while monitoring the ongoing failed wars between the clones of the Machine and Samaritan. Those sounds are transmitted by every electronic device infected with Samaritan’s malware in an attempt to contact other devices. Root realizes she can use that to send a message to the facility where Shaw is being held.


Meanwhile Shaw is at her wits' end. She’s taken on what she assumes is another simulated trip which is meant to glorify Samaritan’s oversight. This time it’s a scientist trying to bring the thylacine, an extinct marsupial, back to life. Shaw, in an attempt to cut the simulation short, shoots her—except this time, all of this was real (as astute viewers would pick up, noticing this is the first time we saw Samaritan watching her trip immediately after checking in on Root’s ward). After she finds out, and realizes she no longer has any idea what’s real and what’s not, she makes an actual attempt at an escape. But after months of imprisonment she’s in too weak a state to actually go through with it. And as she contemplates just ending it—Root gets through with her message, giving her renewed hope.

Root herself is attempting negotiations with Samaritan, giving herself up on the condition she goes to the same facility Shaw is being held. Those are cut short after Reese’s arrival, who later chews her out over that idea. On the plus side, they saved the conspiracy nut host who promises to stop talking about the signals he discovered.

A promise that he breaks pretty much as soon as he gets back to work—he’s too hungry for validation and recognition. And Samaritan’s operative kills him.

Finch is angry at Reese and Root for just leaving him alone—but he’s furious at the Machine that allowed him to be killed. It explains itself by saying the primary objective (contacting Shaw) was achieved, and the reason it allowed the host to die is that it allowed him an expression of free will. Finch and Reese are most decidedly not happy about what is going on with the Machine. Meanwhile Root is excited—she now has a clue how to find Shaw, and she and the Machine seem to be working on a plan to get her. A plan that involves going to Žemaitija National Park in Lithuania—and more specifically, to the nearby Dvina Missile Silo.

We’ll see where all this leads next time. Until then, we have a new Bear Moment of the Week— Sandwich Bear!


Dominik Zine is a nerdy lad from northeastern Poland and is generally found in a comfy chair with a book in hand.

We Have Opinions, TV Edition #3


We have opinions about TV shows! Check out the mini-reviews for Legends of Tomorrow, Jane the Virgin, and Faking It below.

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Legends of Tomorrow S1E15 - “Destiny” (and also: the rest of the season)

This is how I imagine a conversation between Doctor Raymond Palmer and the rest of the world would go:

Dr. Palmer: “I just want my life to make a difference.”
The world: “You founded a multi-billion dollar company and created world-changing technologies.”
Dr. Palmer: “Yes, but I just want to be remembered, you know?”
The world: “After you apparently died, we renamed an entire city in remembrance of you. To what greater honor could anyone conceivably aspire?”
Dr. Palmer: “I want. To make. A real. Difference.”
The world: “You know for a fact that in the future, the work you have done will be used in robotics—and presumably many other fields—for generations.”

Following this exchange, an obstinate Dr. Palmer would presumably melt into a puddle of self-loathing. — Etienne Domingue


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Jane the Virgin s02e21, “Chapter Forty-Three” & s02e22, “Chapter Forty-Four” 

In last week’s episode, Jane and Petra explicitly talk about Petra feeling like a bad mother compared to Jane—but instead of exploring that further, the show carries the theme of competition over into a conflict about whom Rafael listens to more.

I usually think Jane the Virgin manages to dig deep into all of the more relatable relationship issues that balance the dramatic telenovela elements, even when the soapiness is turned up high. When it comes to Petra and Jane’s relationship though, it seems to be constantly overshadowed and pushed aside in order for the rest of the plot to move forward.

It’s a shame, because the show does well with interactions between its complex and varied women. And since the Jane/Petra friend-shipping is strong among the show’s fans (a “fact” I base on the comment sections of three different sites as well as my own opinion, so you know it’s 100% accurate), I imagine more focus on that duo would go over well with the audience.

Let’s hope there’s more of that next season! We all want to know how Michael is, but we also want to know what a long P & J conversation about the challenges of motherhood in a modern-yet-sexist society would sound like.

And perhaps a discussion on who’s the best male feminist ally—Raphael, Michael or Rogelio (#Team Michael #SupportiveFiancésSupportFeminism #TooCoolForMachoDrool). — Tova Crossler Ernström



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Faking It s03e09, “Ex-Posed”

Last week, Liam decided to set Lauren up with a guy to make her less testy (sigh) and a more pleasant room-mate. When he finds a suitable match, and introduces the two, the conversation goes like this:

Liam: “Hey, I was just talking to my friend Preston about... What were we talking about?”
Preston: “American Exceptionalism.”
Lauren: “For or against?”
Preston: How could there be a question? For.
Lauren: *surprised chuckle* “I thought I was the only person in this school who believed America has a manifest destiny.”
Preston: “Well, so did I”.

Wow. I wish this post was a direct line to the writers and showrunners of Faking It. In that case I would tell them: I love Lauren. I love her so much I accept that she’s a Republican, because it suits the character (though I happen to believe she would vote for a different party if she were real).

But I think I speak for a big part of your audience when I say: No decent, historically-aware person would use the expression “manifest destiny” about the USA in 2016.

Even if Lauren is all about American exceptionalism, that can be expressed without colonial terms traditionally used to legitimize slavery and genocide. I promise you it’s possible. As the post only reaches its handful of readers (none of whom are working on Faking It, as far as I know) I’m telling you instead. Feel free to comfort me with your wisdom and historical knowledge in the comments! — Tova Crossler Ernström



We Have Opinions, Comics Edition, #2

Vampirella #3
(Written by Kate Leth, art by Eman Casallos, published by Dynamite.)


Vampirella is still reeling from the murder at the theater, and Juliette confesses her demonic origins and glamour powers. Vampy can certainly look past that, as an alien vampire who is she to judge?  


We get to see a lot more of Vampirella’s new costume this issue; the bathing suit is nowhere to be found.  When not in an action scene, she wears an elegant black coat and purple scarf, and Juliette seems to have a grown-up goth’s dream wardrobe. It is always pleasing to see female characters wearing fashion that is actually appealing to women! If Juliette sticks around as a supporting character, she will be a fun project for cosplayers.


Leth continues to weave humour and horror together in a balanced way. There are jokes aplenty but they never diminish the seriousness of the plot. Casallos’s art is shaky in a few panels, but overall continues to match the tone of the story perfectly.


Vampirella #3 raises the stakes for the growing cast, jump on board before the fangs dig in deeper!Megan Crittenden

Miss Fury #2
(Written by Corinna Bechko, art by Jonathan Lau, published by Dynamite.)


Miss Fury hasn’t found the ship blueprints she was looking for.  Instead, she discovers that the thieves built the entire craft overnight!  Shocked, she explores the ship and finds occult items and symbols that she certainly did not include in the original plans.  She is spotted by mysterious men in masks and forced to make a run for it.  

As Marla Drake, she tries to uncover the origin of the occult symbol she managed to trace.  While some time is dedicated to research, Marla gets her best lead seemingly by coincidence rather than through her hard work (fans of mysteries may find this frustrating).  Still, the plot is intriguing even as occult elements are introduced. We are also treated with flashbacks to Marla’s power's origins, and that is a nice way to introduce her concept to new readers.


The interior art is both solid and atmospheric. Oftentimes in books about female superheros, sex appeal and conventional beauty is a top priority in every panel—but in this issue, Marla makes an unflattering (though very expressive) face at least twice. Given the cheesecake nature of some of the covers in this series, I thought that we might see some torn clothing or compromising poses, but so far Lau's depictions of Marla have been modest.


Truly, if you miss Batwoman, you should be reading Miss Fury. Megan Crittenden




Deadpool #11
(Story by Gerry Duggan, Art by Matteo Lolli, Marvel Comics.)


This issue of Deadpool concludes the most recent arc, featuring his battle with Sabretooth coming to a bloody end. I enjoyed the insight into Deadpool and Sabretooth’s minds, as well as some neat guest appearances from Doctor Strange and Magneto. Gerry has done a wonderful job of tying together his new revelations from Wade’s past with stories from previous writers.


In addition to providing a conclusion to the current arc, this issue also plants the seeds of future developments. I hope that the writers actually follow through with these plot threads, unlike what they have done with previous hints in recent Marvel Comics history. I would definitely recommend Deadpool #11. While not filled with too many major revelations, it has fine characterization and compelling teases for the future. Zachary Krishef

Overwatch Team Makes a Little Girl's Day (and ours too!)

Sometimes I need a reminder that the Internet isn’t all MRAs, vile Youtube comment threads, and doxxing. This one did the trick and hit me right in the Feels.

First off, if you haven’t looked into Overwatch, Blizzard Entertainment’s newest game, you are missing out. It’s a First-Person Shooter, which may immediately turn off a number of folks, but hear me out. This isn’t Call of Duty or some other grim modern warfare scenario.

If you actually dig deeper into Blizzard’s site and watch their amazing cinematics, there is a fairly grim story behind it all. But the cartoon style of the graphics—a sort of World of Warcraft aesthetic with all the spectacular upgrades from Borderlands 2—make this game a delight to look at. And it's family-friendly, to boot.

Each character in Overwatch has a backstory, along with specific skills and powers. And best of all? The cast of characters is incredibly diverse. About half of the characters are female, and there's a brilliant blend of races and cultures.

But before I get excited talking up Overwatch, let’s focus on this delightful exchange:

Shane Hickey’s daughter Ava is an Overwatch fan, and she drew up this super cute idea for a new character called Birst, which her dad tweeted at the Overwatch team.
Can I take a moment to squee at a dad gamer cultivating his daughter’s love for not only video games, but self-expression?

Inspired by Ava, Blizzard artists got to work and created concept art based on her drawing:
And even better? Shane recorded a video of Ava getting to see her design as concept art:
I’m not crying, you’re crying!

Seriously #Birst had been trending since this exchange. Even the official Twitter account got in on the action:



Full disclosure, I am a Blizzard fangurl and have been for a long time.

At a time when women and girls seem to be actively discouraged from traditionally masculine pursuits like video games (even though studies have shown that more women than men play them) this is inspiring indeed—even moreso considering all the barriers to including women in the tech industry.

Big thanks to Blizzard for not just making a child’s day, but probably providing encouragement and inspiration for a little girl to love video games and art a little more than she already did. And who can say? She might even grow up to become part of the tech industry.

As for right now? I desperately want to play as Birst in Overwatch. Make it so, Blizzard!

Ivonne Martin is a writer, gamer, and avid consumer of all things geek—and is probably entirely too verbose for her own good.

The Flash Season 2 Finale, "The Race of His Life"




Last week we watched Zoom stop Henry Allen’s heart. This episode picks up at the same point, with Barry’s best Luke Skywalker “Nooooooooo” impersonation.

In further Star Wars analogies, our buddy Zoom pretty much turns into the Emperor, telling Barry to let the hate flow through him. This is followed by a chase and fight scene through Central City that has some of the most impressive sfx work this show has done. Rarely do we get to see two speedsters actually fighting while in running form (usually they just race until someone gets knocked down, and then they physically fight).


Unbelievably cool SFX in this entire fight scene!
The fight ends weirdly though, as Jay produces a time remnant of himself, and apparently is perfectly willing to sacrifice himself just to screw with Barry’s head. Mission accomplished.

After Henry’s funeral, Wally tells Barry how much he appreciates his heroics and sacrifices. I adore that Wally is an unabashed Flash fanboi. Team Flash tries to discuss how to end Zoom, but Barry is too stricken to deal with it. Iris and Barry have a heart-to-heart but Zoom shows up to taunt him. Jay demands a race to determine once and for all who is the fastest man alive. Sounds like a terrible idea to me.

Harry figures out that the thing Zoom stole from Mercury Labs is a device that can destroy the multiverse, and that it can be powered by siphoning the power off the speedsters while they race. Predictably, Barry wants to race, even though everyone knows this is a terrible plan. Team Flash decides to put Barry in check.

After all the dumb things this team has done (and allowed Barry to do), it was a nice change of pace for them to betray him for his own good. Still, it was pretty vile and difficult to watch as they all lock up Barry in a cell. Grant Gustin’s look of betrayal is heart-wrenching!


How's a man supposed to sleep with all these creeps staring at him?!
Without Barry, Team Flash rides off to take care of Zoom. Things go south (of course), and Joe falls into a portal with Zoom. Afterwards, Wally shows up and gets the bad news. He is not pleased to hear that the team locked up Barry (and that they are prepared to sacrifice Joe to get rid of Zoom for good). Probably to no one’s surprise, Wally ends up letting Barry free, because he’s totally loyal to the Flash! Yes!


But seriously... can I have your autograph, Barry?
With Barry free, Cisco vibes him into Earth-2 to tell Zoom that he’s willing to race in exchange for Joe.

So the silly race of the century commences, while the thing gets energized. Barry has to stop Zoom before the magnatar is fully charged, and during the race (which is another instance of fairly impressive sfx), he uses a trick he learned from Zoom and creates a time remnant of himself. The time remnant runs circles around the magnatar to knock it out of phase and dies, saving the multiverse. The remaining Barry proceeds to kick the crap out of Zoom, but instead of killing him, he steps back to let the Dementors Time Wraiths deal with Zoom, who has sufficiently pissed off the Speed Force to get carted off to his death.

Flash has retrieved the Man in the Iron Mask from Zoom’s prison, and we finally get to see who it is. Turns out it’s Henry Allen! Except not… his name is Jay Garrick (the latter being Barry’s paternal grandmother’s maiden name). He’s from Earth-3. Barry freaks out at seeing his Not!Dad.


Not a joke: it's really cool to see classic Flash put on the suit and the hat. 
Sadly, not only is Henry Allen’s doppelganger going back home to be Earth-3’s Flash, but Harry and Jesse also decide to go home.

With everyone back on their respective Earths, Barry and Iris have a difficult conversation about their relationship. Iris says she’s ready, but Barry says he’s not because he’s a mess. But they still love each other, which is why Barry totally regrets what he has to do next. He shoots off through a portal and returns to where it all started: his mother’s death scene. This time, he decides he’s had enough of losing all the time. Nora Allen survives the encounter with Reverse-Flash.

And that’s where season 2 ends. If you’re a fan of the comics, you might be thinking you know where this is going. And if you have Netflix, you need to check out an amazing DC animated film: Justice League: The Flashpoint Paradox. Go watch it now, we’ll wait. And then tell me Whiskey Batman isn’t the greatest thing ever. I am really hoping that’s where this show is going in season 3, because that would be badass. Probably not, but a girl can dream.

Actually, my real hope and speculation is that Barry has temporarily erased himself as the Flash, and that Wally will get a turn at Flashing instead, and he'll have to set things right.

Iris and Caitlyn were highly visible this episode, which was a nice change of pace. Besides helping the team with Zoom, Caitlyn has several snappy and intelligent bits of dialogue. My hope is that the writers of this show utilize Caitlyn a great deal more next season, especially since we’ve apparently lost Harry, thereby making her the smartest person around.

Iris is interesting in this episode. I’ve complained before about how she’s been under-utilized this season (other than her great story arc involving her mom and brother early on). This week it seems her role was, as usual, either that of Barry’s cheerleader, or that of his therapist. I wouldn’t say those are inappropriate considering the circumstances— her dialogue was certainly well-written, and Iris showed her value. Barry needs her in his life to balance him, romantically or not. I was surprised and pleased when it was clear she had been one of the major decision-makers in locking up Barry when he was freaking out. She was quietly powerful in this episode, without needing to be physically badass, and Candice Patton has never looked better in the role.

My genuine hope for both of these great characters is that we see more of them next season, and that they get to really shine. The Flash hasn’t had the best track record for representation of women, especially this season, so it was particularly important to see Caitlyn and Iris end on a strong note.

On another note, color me disappointed that neither Wally nor Jesse show their speedster powers.

What did you think of the season finale?

Ivonne Martin is a writer, gamer, and avid consumer of all things geek—and is probably entirely too verbose for her own good.

Sweet Summer Child: Lighter Moments of HBO's Game of Thrones - Brienne & Tormund


This article contains mild spoilers for HBO's Game of Thrones. Proceed at your own risk.

In hindsight, I should have been watching the latest season of HBO's Game of Thrones with the intent to review and recap. As a fan of the A Song of Ice and Fire book series by George R.R. Martin, I was wary of the show at the start of season 6.

To elaborate, season 5 was the weakest showing of the extremely popular series for me, in part because of controversial and problematic scenes (some of which were deviations from the book canon) which even led some fans to stop watching altogether, and perhaps because the fifth season's events partially coincided with the events of the fourth book, which is largely seen by fans as the weakest link of the book series.

The latest season seems to have returned to form, with some marked improvements in writing, execution, and possibly even other more, uh, egalitarian considerations. Rather than go back and recap the entire season thus far (unless there is interest, please feel free to comment below, or let us know on Facebook and Twitter!), I'm going to analyze some of the lighter moments of HBO's Game of Thrones, starting with the latest ship to set sail, in the fandom at least.

Brienne x Tormund a.k.a. #BRIEMUND


It all began in S06E04 Book of the Stranger. After escape the clutches of Ramsay Bolton, Sansa Stark arrives cold and shivering at The Wall with her new knight protector, Brienne of Tarth. Oh, and Podrick's there, too. As the gate opens, Brienne begins to survey the area for potential threats to her charge.

And there he was, Tormund Giantsbane. Tall-talker, Horn-blower and Breaker of Ice, Husband to Bears, the Mead-king of Ruddy Hall, Speaker to Gods, Father of Hosts. A wildling. From the moment Brienne rode in on her steed, the young maiden wildling man was transfixed.



It seems obvious that Tormund should be attracted to Brienne of Tarth. As far as we know, he likes women but also values strength as an admirable quality in those he would consider friends or even lovers. Brienne projects strength and Tormund can see that: game recognizes game.

In hindsight, I further realized that Tormund's attraction to Brienne is so much more than that.

Thinking back a few seasons to when Ygritte had a falling out with Jon, Tormund experienced first hand the effect that loving a Crow or a kneeler (as as the wildlings refer to people below The Wall) could have on a wildling. It might have planted the first seeds of curiosity: is there something more to these kneelers that I'm not seeing?

There's a lot of time to burn when you're sitting around a campfire in the dead of winter. When Tormund wasn't spinning a yarn about a tryst with a wild bear, it's not hard to imagine he might be dreaming about what one of these royal ladies south of The Wall could be like. And when Tormund lays eyes on Brienne for the first time, he doesn't see what other men see. He doesn't see what Jamie saw. He doesn't see "awkward" or "unfeminine" or "ugly."

Brienne is tall, big, and strong. Tormund is into this. Despite living the life of a fighter, a soldier, and a warrior, Brienne features retain a softness, a gentle elegance than Tormund does not see above The Wall. She isn't a rough and tumble wildling, she is an imposing, formidable, regal, royal, silver armor-adorned FANCY LADY.

When you strip away the heteronormative beauty standards of Westeros and apply the standards and sensibilities of a wildling, Brienne's mix of noble sophistication and true grit is a glorious paradox. A beautiful contradiction to everything Tormund has ever known. The very sort of ethereal being that inspires men to be swept off their feet.

And she looks like she could kick Tormund's ass.

You better believe Tormund is into this.








It only gets more intense awkward after that.
And it's this romantic tension that rode right into town in the following episode, last Sunday's S06E05 The Door when this classic moment occurred:

We don't yet know precisely how Brienne feels about this and it's entirely possible that this awkward crush could go somewhere far less fun, perhaps because of the poor track record of the showrunners when it comes to sex and consent. Or it could simply go sour for the same reason that Ygritte and Jon did, with equally disastrous consequences.

Until we learn more, and perhaps we can take this as a positive hint, actress Gwendoline Christie is loving "Briemund" and there is even a deleted scene yet to be shared! As she told EW.com:


"I enjoyed Brienne being put in that position of feeling awkward and not wanting the attention,” she says. “That was a very fun thing to play. He’s a wildling, he’s very sensual and animal-like and very forthright with his emotions and feelings — which is really the opposite of [Brienne]. I enjoyed trying to navigate that and the beauty of her embarrassment. She can totally deal with the situation, and with him, but she’s just so embarrassed about it."
Game of Thrones has been pretty brutal throughout, so please, try to excuse viewers for grasping on desperately for any ray of sweet summer sunshine they can find. Let us have this, universe. Please, let us have this.

Adrian Martinez is a graphic designer, comic book letterer, hobbyist writer, and all-around geek living in New York City.

SNL Scraps: "Coat Check" Cut Sketch


Comedy comes in many forms. Thanks to the Internet, you can find satirical humor, oddball humor, and even highbrow humor. However, one of my personal favorites would have to be visual humor. I think that my love of it first developed when I discovered the Three Stooges. It's a series of films chock-full of pun-filled signs, iconic slapstick, and odd situations. What's funnier than Curly trying to eat an oyster?


If you think comedy needs more sight gags and ludicrous comedy, this is the cut sketch for you. It features Fred Armisen dressed up in multiple ostentatious and large coats. (Side note: The smaller something is, the cuter it is. Meanwhile, the larger something is, the funnier it can be. Why is this?) Check it out and tell me what you think below.




Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or the Harry Potter books.

Steven Universe Recap - S03E03 - "Same Old World"


Following last week’s explosive season premiere, this time around we’re getting a quiet episode, focused on the poor Lapis.


Lapis is probably the most underserved of the Gems we've met thus far. She’s been introduced in the middle of the first season, but since then we’ve only seen her in a total of four episodes in 2015, most of which aired as the part of the very first Stevenbomb. Comparatively, Peridot first appeared much later and since then managed to undergo a complete development arc. With this week's episode the show took its first step towards fixing that.


Finally free from the Malachite fusion, Lapis at first wants to make another attempt to leave Earth, but ends up deciding against it. Even before she was sent on a mission with Peridot and Jasper, she felt uncomfortable with how the Homeworld changed over the millennia of her absence. Now, after their failure to apprehend the Crystal Gems, she’d be even less welcome there—and considering what we know of Homeworld society from the prejudices Peridot exhibited, this could be a bad idea for Lapis.

Unable to return to a home she no longer recognizes anyway, Lapis is stuck on a planet about which she has no positive memories. As we learn in the second half of the episode, she arrived on Earth young, inexperienced and unaware of the warzone it had become as the Crystal Gem rebellion spread. Almost immediately following her arrival, her body was poofed by one of the warring Gems and she was stuck in a mirror, mistaken for a rebel and constantly interrogated for information she didn’t have. For millennia after the war’s end she was stuck in an inanimate object, alone until Pearl found her and Steven freed her.


Thankfully, she has a friend now—someone to help her make the first step away from her past. Steven gives her something she didn’t have for thousands of years—a choice. Together they embark on a quick tour of the Earth, over the course of which Lapis sees how little she has actually seen of Earth during her imprisonment. There’s a whole diverse world out there she can discover and find a home in. In the end, Lapis decides to stay on Earth of her free will; for the first time in forever, she is filled with joy, playfulness and optimism.


And that’s when Peridot enters the picture. At the start of the episode, she opted to stay in the barn they made the drill in, deciding she likes it more than the Crystal Gem bathroom (plus, there’s that big hole in the wall she made that she needs to fix). And Lapis is not happy with it, which suggests that during their travel to Earth ol’ Peri decided to abuse her power over the poor Gem with lesser position than her. And now Steven has to reconcile two of his new friends, one of whom despises the oblivious other.

"Oh boy." 

Will Lapis end up beating the crap out of Peridot—or will she grudgingly accept her new wacky roommate? We’ll see next week in "Barn Mates."

Dominik Zine is a nerdy lad from northeastern Poland and is generally found in a comfy chair with a book in hand.

No more "House of Lies": Some words on the show's progressive aspects and What Are All These Great Actors Going To Do Now?

Sad cancellation news abound! We’ve already posted about The Muppets, Agent Carter and other shows being cancelled—now House of Lies can be added to the list. House of Lies is perhaps not a geeky show, but it lands in our sphere of interest thanks to a) and excellent cast—and I do mean excellent, and b) the way it weaves issues of gender, sexuality, race and good ‘ole bigotry into its storylines of Machiavellian power play and personal drama.  

As previously noted, it’s always been a show about bad people, but it hasn’t resorted to the idea that is so prevalent in some pop culture that “This isn’t about race or gender—everyone’s an asshole!” Marty is a grade A asshole, but when he’s subjected to racial profiling and beaten up by the police, it’s still clearly an issue of racism. Jeannie is no angel either, but the sexism she faces is real.

And then there’s Marty’s son Roscoe, who’s an all around decent person, a star shining bright in an otherwise pretty dark universe. A challenger of gender norms from the first episode, Roscoe’s identity is never treated stereotypically, and the character is allowed to be both undetermined and open about it: ambiguity isn’t mistaken for confusion or denial. The show also resists simplicity in its depiction of Roscoe’s relationship with Marty, whose initial lack of understanding and support changes as he learns from his son, but most of all: as the parental protection instinct and desire to see his son happy kicks in. “Don’t fucking mess with my kid” is a very healthy reaction to your child being discriminated against, and it suits the character in a way that vague notions of tolerance and Disney-fied morality would not. 



The way Marty changes his attitude, while remaining the same person at the core (no miraculous personality change there) is the kind of nuanced story that parents who aren’t already enlightened—or who don't have a high enough emotional quotient to be good to their children when they don’t fit the cis- and hetero-normative mold—might benefit from. It shows that you don’t have to be either a saint or a genius to be there for your kid—just willing to challenge your preconceived notions and evolve.


Unfortunately, the show itself didn’t evolve as much and the cancellation isn’t a huge surprise (not to me, at least). There’s only so much you can do with characters that are all hell-bent on manipulating their way to the top in a very specific, confined setting (the world of management consultants), and House of Lies didn’t quite seem willing to tap the full potential even of that limited world, opting instead to put the characters back in similar positions again and again. Still, it has moments of greatness - and did I mention the amazing cast? One positive effect of the cancellation is that it frees up all of those great actors for other projects. So to finish on a positive note, let’s see what some of them are up to, and speculate about the rest!

Kristen Bell will continue to play a Bad Person™, though her new show sounds less depressing. She’s starring in The Good Place as a woman who dies and, being mistaken for a much better person than herself, goes to heaven (the “good place” of the title). It’s basically a sitcom/comedy of errors/black comedy/fantasy show about the afterlife. If I can get over my disappointment that this is not a Dead Like Me revival, I think I will enjoy it! 



Don Cheadle doesn’t seem to have any projects coming up, except for possible super secret ones. He recently directed and starred in the Miles Davis biopic Miles Ahead, and had some (but not enough) screen time on Captain America: Civil War. Cheadle’s future in the Marvel Cinematic Universe is unknown, and when asked by Associated Press about whether he’ll be part of the coming Avengers movies, he replied “I can’t talk about it. Do you want me to walk out of this door and get bludgeoned to death by Marvel security?” Yikes. And no we don’t, so we’ll have to wait and see instead! I personally think Cheadle should follow wherever Iron Man goes, but I suppose that’s an unreasonable request. As for directing… No news there either. If you've seen Miles Ahead—do you think Cheadle has a future in directing?




Ben Schwartz was a vocal consultant for BB-8 on Star Wars: The Force Awakens which, together with his time on Parks and Recreation and the fact that he’s dating Jane Gina Rodriguez, means he can pretty much retire now. He might be a poor retiree, but he would be a happy one. Of course, money and having something to do is neat too. Schwartz is still going strong with his comedian/writer career, doing sketches, performing with the Upright Citizen's Brigade, and having his script for El Fuego Caliente (a remake of the 1991 movie Soapdish) made into a movie with Seth Rogen. And hey—he apparently voices the main character on an animated TV show called Randy Cunningham: 9th Grade Ninja! I’ve never heard of it before, but it’s Disney and it has a brilliant sounding name, so… Schwartz is doing good.



Similarly to Cheadle, Josh Lawson did double duty as director and actor on The Little Death in 2014. Since then it’s mostly been House of Lies, and two episodes of Superstore. This is probably the time for speculating, but I have to admit I’m not fascinated enough with Lawson for my imagination to start running wild. Does anyone else have an idea? Are there any characters who oscillate between being dorky, pathetic and idiotic in need of an actor to portray them? Perhaps a neurotic art dealer or an elementary school teacher with anger management issues? I’m just riffing here. 



Donis Leonard Jr. appears to have a blank schedule after House of Lies. The most recent project outside of the show is Wannabe, a short film that was nominated for best narrative short at Tribeca 2016 (but didn’t win). There’s not much to go on here, so some more spitting out of ideas is in order: Maybe Leonard will snatch a role on Gotham, since he knows one of the actors on the show? Or maybe Wannabe will be developed into a full-fledged feature film? Hang on, that last one is actually true (I’m psychic!). Yes, we can look forward to seeing more of Leonard in the full-length version of Wannabe, which is being filmed this summer. Considering the guy’s talent, I think there will be more after that. And considering my talent for making correct guesses (or divination, if you will), you should believe that too. 


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Dawn Olivieri hasn’t had a big role in the 5th season of House of Lies, but she did some good (disturbing) acting before that, and I for one am curious to see what she does next. She was in a couple of episodes of Lucifer, as a Lieutenant who gives Lucifer permission to work with Chloe on her cases after sleeping with him—hopefully her next roles will be more substantial. The IMDB pages for her upcoming movies A Change of Heart and Behind the Curtain of Night doesn’t tell us much, except that neither film appears to be a future blockbuster. So instead of a picture from a current project, let's end with this GIF of Olivieri from her House of Lies glory days:

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Cheers to that!
Tova Crossler Ernström is a bisexual Swede, feminist, socialist, INFJ, Hufflepuff, HSP and Taurus. She is fond of personality tests, labels and lists.