Showing posts with label Justice League. Show all posts
Showing posts with label Justice League. Show all posts

Blockbusters: Thor Ragnarok vs. Justice League









Superhero movies are big business these days and during the times when a genre is big business, everyone wants to be releasing as many of them as possible. That this eventually leads to a bubble is an article for another time. No, the point this time is that eventually there starts being some overlap between some releases, and since there were two major Superhero releases and I'm desperately trying to release some content, I thought I'd compare and contrast them, in a series of categories I'm more or less making up as I go.




Expectations:

Thor Ragnarok

As I've said on multiple occasions, I've got a little tired of the MCU lately, which gave Thor a pretty major uphill climb to start with, especially when you consider that the previous Thor movies are probably the weakest ones in the entire MCU, with the possible exception of Iron Man 2 (and that Hulk movie Marvel hopes we've all forgotten) and Thor: The Dark World is probably the worst of the MCU movies.

That said, there were reasons to expect some good things out of this. The director of this outing is Taika Waititi, who previously directed What We Do In The Shadows and Hunt For The Wilderpeople, both of which are excellent films that deserved to be watched. So perhaps, I thought to myself, this movie could be okay, could even be pretty good.

Justice League

If there was a bar that could be lower for a movie than the one for Justice League I don't know what it could be. To start, while Wonder Woman was a genuinely excellent movie, the other movies in the franchise range from Pretty Bad (Man of Steel) to Oh My God Make It Stop (Batman v. Superman). Add in the horrifying event Snyder's family endured during production, the switch between directors and the massive rounds of reshoots and recuts supposedly happening behind the scenes, and it seems like we're lucky the movie even came out at all.

The Casts:



Thor Ragnarok

Both of these movies are ensemble focused, and Thor has an incredibly impressive one. From our long standing series greats like Chris Hemsworth, Tom Hiddleston and Idris Elba, to our newcomers like Jeff Goldblum, Tessa Thompson and Cate Blanchett, the cast of this movie is a laundry list of great actors. All of them very attractive.

And they all turn in great work. Yeah we knew that Cate Blanchett would be giving us a great performance (and let me be clear, she's basically perfect) and Chris Hemsworth is a perfect Thor, but Jeff Goldblum's comic timing is still completely on point and it's shocking what a massive standout Tessa Thompson is, dominating the entire screen from the first scene she's in. I really hope we get to see more of her in later Marvel films, she's fantastic.



Justice League

Obviously the major standout from Justice League is was and always will be Gal Gadot. She's the central element of easily the best film in the DCEU. She's incredibly adept at selling her character and she totally dominates every scene she's in. The rest of the holdover cast is pretty good; Affleck still looks a little disinterested in this role, but he's getting better, Jeremy Irons is still great and hey, Cavill gets to act like a human being.

The new cast is a mixed bag. Erza Miller is genuinely entertaining as The Flash and while the movie doesn't give him a whole lot to do outside of punching things, I actually really liked Ray Fisher as Cyborg. The big letdown is, surprisingly, Jason Momoa. He's certainly a big guy and kind of cool outside the movie, but something about him is just not clicking with his performance. He has shockingly little screen presence in movie and between this and his performance in Conan, I'm starting to worry his good performance as Khal Drogo was a fluke (Note: I haven't seen Stargate Atlantis).

Story and Script:

Thor Ragnarok

Our story this time around starts out as yet another Thor story: Thor is flung out of Asgard, Asgard is in peril in his absence, he must find his way back, he's got Loki (who remains a treacherous little s**t) and some other secondary characters at his back. You get the basic idea, we've seen it twice before.

But then something odd happens around the midpoint. Once the film finally gets its plot squared away, it becomes a well written character focused piece with metaphors about owning your history and making up for your family's mistakes. There's a lot of good character work and fantastic dialogue in the latter half, that really kept me involved in the final battle, something that a lot of MCU movies have had trouble doing.



Justice League

It's the plot of The Avengers. I don't want to trash it, it's a good solid foundation for a plot, but well, there's a magical square shaped macguffin that a guy from outer space is looking for so he can open a portal to a place where his army is waiting, requiring a group of heroes to team up to bring him down, even though they don't initially get along. It's just the plot of The Avengers with the names replaced a couple extra beats.

It's in those extra beats that we see the scars of the film's long and troubled production, with several moments are so tonally out of step with not only the rest of the film but the rest of the DCEU that it might as well be playing in a different theater. The film is clearly pretending that huge chunks of Batman v. Superman either didn't happen or happened completely differently than it did, and while everyone has seen the fun scene where Batman and Flash are talking about getting into a fight, that scene is in the middle of a sequence where Steppenwolf is torturing and murdering civilians. The film is clearly the result of a troubled production and occasionally seems to have been edited with a machete.

Action:



Thor Ragnarok

For a superhero film, Thor is surprisingly light on the action, preferring to spend most of its 2nd act in character work, with only the fight between Thor and the Hulk (plus occasional jumps back to Asgard) really doing most of the action. It heats up in the third act and the final action beat is incredibly engaging, but up until that point, it's pretty dialogue focused. That's not a complaint, I like that about it.

Justice League

This is one of those places where Justice League is an unambiguous success. From Gal Gadot's incredible physical presence to the way they actually manage to include Cyborg and Batman in the action scenes to even the way they manage to make Flash work. Yes, I'm still waiting for a better film visualization of super speed than the one in Days of Future Past, but this one is still pretty good... even if the lightning surrounding the Flash never stops looking silly.

Conclusion:

I could not have gone into these two movie with lower expectations than these two, so I will say that both managed to surprise me. I expected to hate Justice League and honestly, I can honestly say that I didn't even dislike it. Heck, I may have even kind of liked it. I might see it again when it hits DVD.

But in every comparison episode, there must always be a winner, and this time around, the clear winner is Thor Ragnarok, shooting up the roster of Best MCU Movie to land near the top and giving me hope for the megafranchise yet. So if you've somehow gotten to December without seeing both of these, give them both a shot.

But go see Thor first.

Elessar is a 27 year old Alaskan-born, Connecticut-based, cinephile with an obsession with The Room and a god complex. 

Critical Hits & Misses #330




For today's musical hit, we have Linkin Park's "Crawling (One More Light Live)"





Today's critical rolls: The holidays are right around the corner. What's your take on gift-giving? Do you do it? Do you prefer to hand-make items? Have you hit the mall yet? What kind of stuff do you like to receive, in turn?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #326



For today's musical hit, we have rising artisti OMB Peezy and "Doin Bad"



Today's critical rolls: Are you curious about the secret Marvel wedding? Or maybe you're more excited about Prince Harry's pending nuptials? Or maybe you only care about the West-Allen/Ollicity weddings going on in the Crossover this week on the CW? Or maybe no weddings at all?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #324





Editor's Note: Thursday is Thanksgiving in the US and Friday is the busiest shopping day of the year (and a day off for us), so this is the last CH&M for the week. Wherever you are, we wish you a wonderful weekend! See you next Monday!

For today's musical hit, it's almost Christmas, so have Sia and "Santa's Coming For Us"




Today's critical rolls: If you're in the US, are you looking forward to Thanksgiving and Black Friday? If you're not in the US, what's on the agenda for the weekend?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #322






For today's musical hit, have Chance the Rapper, Kenan Thompson, and Chris Redd doing "Come Back, Barack" on SNL. We agree with the sentiment



Today's critical rolls: How was your weekend? Let us know if you saw any good movies or did anything exciting!


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #297

Image result for Justice League poster



For today's musical hit, we have Demetria McKinney and "Easy"



Today's critical rolls: Are you looking forward to Justice League? Why or why not?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #293






For today's musical hit, we have Sam Smith and "Too Good at Goodbyes"



Today's critical rolls: What's your take on superheroes being allowed to be happy, and do things like get married? Yay, nay, don't care?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #48



  • The insanity of 2016 reaches a new height with the announcement of a Justice League and Mighty Morphin' Power Rangers crossover by DC and Boom. The series will be written by Tom Taylor, with art by Stephen Byrne. (John)
  • The creator of Pepe, The Frog discusses the nature of memes and of reclaiming them in response to his character's popularity with alt-Right Hate groups. (Adrian)
  • The second annual ComiqueCon is almost upon us! The Detroit metro area will be featuring a celebration of women in comics and discussion on all forms of inter-sectional feminism. 

For today's musical hit, Avenge Sevenfold's The Stage.

Today's critical rolls:
1. Did you watch Power Rangers as a child? If so, which iteration was your favorite?

— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: don't disrespect Bulk and Skull - the world's greatest super-heroes.

Justice League: Let's Overanalyze the New Logo and Synopsis!


Justice League is set to release on November 2017 and Warner Bros. has just released the film's logo and the official synopsis. First, let's take a look at the new logo:


Tova: What I feel when I look at the logo is basically "meh". I'm not sure it says anything about the movie itself, but it's some pretty lazy design work. Or are they going for a carefully constructed simple-as-hell look, and I just don't get it? I'm not usually one for fancy 3D logos with symbols and lots of colours, but this is just... Well, meh.

Adrian: I think by using a stark sans serif typeface, the message is that they're retaining the 'this is serious business' feel to the DCU; I'm sure you're not the only person who is underwhelmed and understandably so, but I may be the exception because I actually like it. The little star, plus the angled slash on the beaks on the 'S' and on the terminal of the 'J' made the whole lockup seem surprisingly cheery to me.

Tova: The star cut-out might be there to make us feel "American" and patriotic… But I'm not American, nor do I believe the US is an appropriate symbol for justice.

Zachary: For some reason, the logo reminds me of that "Elseworlds" tale where Superman grew up in Russia.

Adrian: That's Superman: Red Son, which also uses a display face that is sans serif, with little cuts and angles. There's potentially a totalitarian feel to the logo, but perhaps they only mean to convey strength. It also reminds me a bit of the new Star Trek logo.

With all that in mind, let's review the film's synopsis:

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.
Directed by Zack Snyder, this marks the big screen debut of the Justice League, featuring an all-star lineup: Ben Affleck, Henry Cavill, Gal Gadot, Jason Momoa, Ezra Miller and Ray Fisher.

Tova: It's very difficult to make sense of the synopsis if you haven't watched Batman v. Superman. What selfless act? Restored faith in humanity? And are we supposed to know who the "greater enemy" is?

Adrian: Warner Bros. has confirmed that the film's big bad is Steppenwolf, one of the New Gods, and uncle to the DC Comics world's biggest bad, Darkseid. But to your point, I think this is the struggle they face with franchise films, to presume or not if the audience is up-to-date with the latest events of their film universe. I think they’re fully-committed to the presumption.

A deleted scene from Batman v. Superman that features a 'hologram entity' that is presumed to be Steppenwolf

Zachary: The synopsis does not fill me with confidence. I just don't care about Batman or Diana Prince yet. As of now, everything that I've read about Batman v. Superman just sounds terrible and the images for Wonder Woman just look like a war movie. I just want to see happiness and joy in the DC movies.

Adrian: Despite Batman v. Superman making tons of money, the gossip coming out of Warner Bros. is that the tonal shift to something more positive and perhaps less ‘grimdark’ is happening; they seem to listening to critics. Geoff Johns has been appointed to an executive role in the new DC Films, and Ben Affleck has joined on as an executive producer; and given some of the details in the synopsis, it seems like Zack Snyder’s grimdark reign could be coming to a close.

Tova: Well, it sounds nice and I appreciate that the movie will start off with an optimistic Batman! The way every new superhero movie seems to contain an apocalypse or near-apocalypse bores me slightly, but I understand the attempt to go bigger and have bigger stakes in each film in order to catch the audience's attention. Not sure it's the way to go, but it makes sense on a basic level.

Adrian: I agree, I’m pleased to hear about some optimism in the DCU! Despite my disappointment in Batman v. Superman, I’m remaining oddly optimistic about the upcoming Justice League film. I love the characters of DC Comics and despite recent tonal missteps, I’m looking forward to the day I can recognize the characters on screen.

What do you think of the new logo and synopsis for Justice League? Sound off below in the comments!