Critical Hits & Misses #200

It's our 200th Critical Hits and Misses!



Over at Multiversity, Jay Barrett looks at the way comic books handle the delicate subject of mental health, and explores how they fail or succeed in that regard.

Gods and Radicals takes a look at the intersection of witchcraft and protest.


For today's musical hit, Steam Powered Giraffe's "I Don't Have A Name For It"!



Today's critical rolls: What is your favourite robot from pulp culture?

Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

"Infantino Street" - The Flash S3 Penultimate Episode

ALL the feels were trotted out for this episode, which is the penultimate episode of the season and finally gets us to the day Iris is supposed to die. The episode tracks the last 24 hours of her life, and not gonna lie, the format (counting down those last hours) was kind of brutal.

But there was a lot to love about this episode before we get to that faithful moment of time.

Spoilers beyond the fold.


So, as we left off last week, Tracy's trap is ready to go, except for one teensy little detail: it needs a massive power source. Right, so that's the goal in this episode.

"Infantino Street" starts off with a montage (brilliantly set to Aurora's "Murder Song (5, 4, 3, 2, 1)") that shows what Team Flash is up to 24 hours before Iris dies. In terms of cinematography, audio and music usage, and overall atmosphere, this episode is easily one of the best of the season.

And I have to admit, it's one of my favorites overall simply because the main part of it brings back one of the best characters in the Arrowverse: Leonard Snart, aka Captain Cold.

So Cisco discovers that ARGUS has the power source they need, but when they ask Lyla for help, she refuses, saying that the Dominator technology could be used as a mega weapon in the wrong hands, and that because of Flashpoint, she can't trust Barry with it. Man, is Barry ever going to live that down?

Look, Lyla, dude... I know we look goofy, but please, can we have the macguffin? Pretty please?

Of course Team Flash isn't going to take no for an answer. They need a master thief, which is how Barry ends up in Siberia in 1892, which is a callback to one of Legends of Tomorrow's better episodes in season one, to talk to Leonard Snart. Why go all the way back to 1892 (and by the way, how the hell did Barry know to go to this moment in time)? Well, because in 2017 Snart is dead of course, since he sacrificed his life for the Legends. So Barry needs a Snart that has been influenced by the Legends enough to be helpful, but that isn't yet dead.

Snart can't pass up the challenge of stealing from ARGUS, so he agrees, as long as Barry agrees to do things his way. Already this episode is awesome, but watching this moment, I was waiting for it to become seriously epic.

And spoiler alert, it was everything I could have wanted from a Captain Cold episode. I can't begin to tell you how much I desperately miss Wentworth Miller's snarky thief.

I think I cried more in this episode over this guy's inevitable death than over Iris'...

The ARGUS break-in was boss. Grant Gustin and Wentworth Miller have great chemistry together, and this whole break-in sequence was fabulous. When they get to the cell where the Dominator thing is located, they find a final obstacle: King Shark is in the cell as well, as a sort of guard dog. Barry is willing to kill King Shark and asks for Cold's gun, and that's when Snart realizes that part of the reason he was recruited was that Barry wanted someone there who wouldn't judge him for doing whatever needed doing. Even if that means killing.

But this isn't just any Snart. This is the Legends version, and by this point in season one of Legends, Snart has softened significantly from his badass self and is well on the road to becoming a hero. He suggests that instead of killing King Shark, they use his gun's cold thingie to put the shark to sleep. Not gonna lie, my heart swelled at how amazingly awesome Snart was here. And it made me remember how much I cried at the penultimate season one finale of Legends of Tomorrow. 

Anyway, nothing is going to be easy about this heist, so as soon as they grab the thing, the door starts to close. Barry manages to slide under, but Snart gets trapped in the cell with a waking King Shark. Snart tells Barry to just go and leave him behind, but Barry refuses. He sticks around long enough for Cisco to hack the door, but by the time Snart is out, Lyla and a bunch of ARGUS agents have shown up. But Lyla saw the whole heist, and she also saw Barry selflessly risk everything to make sure Snart lived. So she decides that Barry is responsible enough to have the macguffin, and lets him keep it.

Back in Siberia 1892, Snart and Barry share a final moment. Snart gives Barry some advice: being the hero is the only way to save Iris and defeat Savitar, not getting down to Savitar's level. And then as they part ways, Leonard says the line: "There are no strings on me."

In case you don't remember or don't watch Legends, that was Leonard Snart's final line when he dies. ALL the feels were happening in this moment, when I was watching "Infantino Street." I was definitely misty-eyed.

Thanks, bro. You da man...

Sidenote: back during the Dominator Arrowverse crossover, one of the Legends said that Snart had died because Barry had inspired him to be a hero. At the time I was like lolwut? because it seemed to me that Snart had made the heroic journey on his own during season one of Legends, and that his sacrifice had been more about his best bud Heatwave than anything else. The Arrowverse crossover seems like it happened a long time ago, but it was really nice to see them actually tie all of this together. It appears that this moment, with King Shark and Barry choosing to nearly sacrifice everything just to save him, really did inspire Snart towards heroism.

Anyway, so now the team has the thing. During the course of the episode, a few other things had transpired: HR had asked Tracy to join Team Flash and she accepted, and Wally and Joe took Iris to Earth-2 without Barry knowing, so that Savitar couldn't find her. There was also a brief scene where it seemed like Killer Frost was having second thoughts about everything, but Savitar tells her to play her role.

So right before Barry returns, Savitar tricks Team Flash (and specifically HR) into revealing where Iris is, and ends up nabbing her on Earth-2 and bringing her back to Infantino Street, where everything is going to go down.

Aww jeez... not this shit again...

So anyway, HR is horrified that it's his fault that Savitar has Iris. And during the final fight, when Barry uses the gun, it doesn't work. Tracy is watching from afar and thinks that the trap failed, that she failed, but really the only reason it didn't work was because Savitar had the Philosopher's Stone in his hand. The stone is how he got out of the speedforce trap in the first place. Killer Frost and Vibe are having their final battle as well.

And we are once again treated to the scene of Iris dying as Savitar gets stabby with her.

Yeah, I don't even know how this is going to be undone or dealt with next week.

I've harped time and again this season about how the entire overreaching arc has been the death of Iris, and yet Iris herself has been remarkable absent from a good chunk of this. She has been treated as much like a macguffin as the Dominator thingie was in this episode.

That said, the few scenes Iris had in this episode were fabulous, once again reaffirming my belief that Candice Patton is a desperately under-utilized resource for this show. I think one of my favorite Iris scenes ever will be when she and Joe, sitting in Earth-2, confess things to each other about the past. Iris confessing that she and Barry switched rooms as teenagers so she could be out past her super strict curfew is the cutest thing ever. And the video Iris leaves on Barry's phone in case she does die, is worth a few misty-eyed moments.

This show is based on comic books, where no one dies permanently except Uncle Ben. I stand by my belief that Iris isn't going to die, although she seems pretty dead by the end of this episode. I don't know how it will be undone, but I still think it will be. We'll see if I'm wrong next week, I suppose. But honestly, this killing of every person Barry loves, in the penultimate episode of every season? It's old and tired and it's a trope that needs to die in a fire. Here's hoping this is where it dies for good.

What do you think will happen next week? The trailers for the final episode are cryptic and don't give anything anyway (as it should be), so here's to endless speculation!

The Flash airs on Tuesdays at 8/7c on the CW.

Ivonne Martin is a writer, gamer, and avid consumer of all things geek—and is probably entirely too verbose for her own good.

Critical Hits & Misses #199



 Life can be tough or stressful, especially right now. Luckily we can always calm down in the worlds of many relaxing video games. Over at Rock Paper Shotgun, Samuel Horti lists 10 titles that you can chill with. (Dominik Zine)



The Atlantic takes a look at the history of communal living, and how it is making a comeback.

For today's musical hit, HEALTH covers New Order's "Blue Monday" for Atomic Blonde:


Today's critical rolls: What's your favourite poem?




Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Critical Hits & Misses #198



For today's musical hit, let me get misty-eyed with musical nostalgia from my youth. Here's Debbie Gibson in 1987 and "Only In My Dreams"



Today's critical rolls: What music from your youth do you feel nostalgia for?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

Saturday Night Live S42, E20- Melissa McCarthy, Haim: Spicer Moans, Pies Are Thrown


Cold Opening: As revealed last week, this is Alec Baldwin's first of his two final appearances as Trump on the show. Whether this is for the season or the series is not known as of now, but I can tell that the writers are putting their very best effort into the sketch. Seriously, if Trump is watching this, and he probably is, then he's going to be furious. That's a good thing, because if he's mad at the show, they're doing something right. On a minor note, I'm pretty sure that Mikey Day has taken over as Paul Ryan. I'll miss Taran Killam's impression, but he's already won me over with his cheerful "He feeds me dog food!" line.


Monologue: Okay, right off the bat, I'm predicting that this will be a question-and-answer session with the audience, but with a Sean Spicer-impersonating twist. Okay, note to self, maybe don't make predictions before the episode actually airs. It turns out that the monologue was actually a special Mother's Day edition. In recent years, the Mother's Day monologues have been especially sweet, often paying tribute to the mothers of the cast members. This one takes a different angle, but it's all the more charming for it. One lucky audience member, Joan, gets an exclusive tour of the backstage and even an introduction from Darrell Hammond.


Game Show: Is it bad that I could see this being a real game show in the future? This is as good as the "Beat The Bookworm" sketch from earlier in the season in the way that it plays to the host's strengths. Similar to how Aziz Anizari can play smarmy characters impeccably, one of Melissa's strongest comedic traits is her ability to pull off outrageous slapstick material. In this case, getting pied in the face multiple times, among other antics. It's refreshing to see a variety in the topic of the game show sketches. The writers get to experiment with different formats and it keeps the routine from getting stale.


Amazon Echo: I love the increasing frustration in the Echo Silver's voice, as played by a slightly electronically-modified Cecily Strong. She's a really good actress.



Sean Spicer Returns: I finally got my wish for Alec's Trump and Melissa's Spicer to meet, and my birthday isn't even for another two months! I don't think I'm alone in saying that this is the best Spicer sketch yet. Melissa expertly puts her acting talent to use by making fun of him but somehow also humanizing him. As easy as it is to laugh at the character, we also feel a small amount of pity for him, even when he seemingly murders a reporter.


HAIM Musical Performance #1- "Want You Back": The audience definitely liked the song, seeing as they were clapping in the background.


Weekend Update: I didn't like this edition as much as last week's. Colin and Michael's pieces were wonderful, but the guest commenters weren't as amusing this time. Still, this might be due to my own quirks. I like Cecily Strong's Cathy Anne character, but I have a hard time understanding her. As for Pete Davidson's commentary, I just don't find drug humor very funny. Even so, I would still give it a fair grade.





Film Panel: What's one way to one-up Kate McKinnon's Debette Goldry character? Introduce Melissa McCarthy's even older Hollywood actress character, Gaye Fontaine! Bonus points for actually sounding like a realistic name. As ever, the roundtable sketches are an excellent way to show the sexism in Hollywood by way of humorous exaggeration. The more ludicrous stories are clearly false, but women in the entertainment industry have to go through acts of sexism every day.


Kyle And Leslie: Forget the Weekend Update summer run, this is the spinoff we need! I would watch a mockumentary reality show full of Kyle Mooney and Leslie Jones's relationship issues.I love the touches of self-parody in the recurring Kyle and Leslie shorts, but the touch of human emotion makes them a winner every time.


HAIM Musical Performance #2- "Little Of Your Love": I liked it, despite the beginning getting cut off. As of now, it's not available on the YouTube channel or NBC's website, but I'll add a link if it does.

First Birthday: ...That was a bizarre little sketch. Was it original slated for the ten-to-one air slot? I'm reminded of a movie that I read about called The Lobster, wherein humans had to avoid turning into animals. It seemed to be mocking the appropriation of spirit animals, but I can't really put my finger on precisely how. In any case, I liked it.


Production Logo: Hey, have you ever wondered precisely how the pitch meetings for film studio logos go? "Production Logo" didn't really teach me anything about that, but it has Melissa McCarthy popping a small child's balloon and threatening him with bodily harm. As a branded content piece, it was perfectly fine, and as a regular sketch, it was exceptional.


Final Thoughts: Welcome to the Five-Timers' Club, Melissa McCarthy! This might be the best episode of the season. From start to finish, we had powerful sketches full of satire and laughs. Whether it was Alec Baldwin doing his best Nixon/Trump fusion (There's a Steven Universe episode I wouldn't watch.) or Steven Martin making a surprise cameo at the end to induct Melissa into the Club, all of it was amazing.

Saturday Night Live airs on NBC at 11:30 pm. It's now live in every time zone.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #197



For today's musical hit, we have Pinegrove and "Size of the Moon"



Today's critical rolls: Have you ever thought about your own biases? Are you aware of them? Have you caught yourself thinking things about other people, especially strangers, that would indicate some kind of bias or prejudice? Let us know how self-aware you are!


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

The Unbelievable Gwenpool #15 Review: The Case Has Been Made- Please Create "Gwenpool Team-Up!"


The Unbelievable Gwenpool #15 continues the hijinks with Gwenpool, Cecil, and special guest stars Kate Bishop and Robbie Reyes. You might recognize them as the real Hawkeye and Agents Of S.H.I.E.L.D.'s vengeance-bringer, respectively. As the second part in a two-part crossover story, it's pretty solid. Christopher Hastings does an excellent job with Hawkeye's dry sarcasm, especially when confronted with Gwen's comic book ramblings. I wish that the arc was longer simply so we could see more from the unique pairing.

I want to see the wacky shenanigans from Gwen and Hawkeye briefly sharing an apartment. Which one is Felix? Who's Oscar? Did Gwen celebrate about touching a comic book character's floor, creeping Kate out?
In addition, the story also introduces some fascinating new characters to the Marvel universe, such as a cool historian. She's an expert in Scandinavian lore and enthused about her passions to the point of being very nerdy about them. Not that there's anything wrong with that, of course. My SNL articles prove that I'm a huge comedy nerd. I don't know if she'll appear again, but Big Ronnie has become a recurring character, so you never know. I also appreciate the fascinating change to Cecil's status quo.

Not awkward at all. NOPE.
I also really like Myisha Hayne's work on the comic. Her artwork is perfectly goofy for the comic, almost making the characters look like animated cartoons in some areas. Simultaneously, her interpretation of Eli is satisfying spooky, showing a diverse range of talent. Really, my only complaint with the issue would be the meta-textual references to Ghost Rider's own dearly-departed comic. Then again, I realize that it would be hard to change any references quickly, but it's still disappointing.

The Unbelievable Gwenpool #15 is written by Christopher Hastings, drawn by Myisha Haynes, colored by Rachelle Rosenberg, and lettered by VC's Clayton Cowles. You can find it at your local comic book shop.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

SNL Scraps: Melissa McCarthy Puts On A Show In This Week's Promos


Melissa McCarthy's back to host SNL! Not only will this be her fourth time appearing in this season alone, but she's also going to make it into the Five-Timers' Club! Two entries in one season, that's not bad when you consider the range of newbies and regulars who host in the average span.

Of course, you can't have her appear without some reference to Sean Spicer, and the promo gets right down to it. Melissa happily dances and sings "I Feel Pretty" while being transformed into Sean Spicer's grimacing visage. How ironic. Considering that he outright walked out of a conferences last week and hid in the bushes this week, I'm sure that the writers are not lacking any comedic inspiration.


Editor's Note: This morning, not long after this article went out on Critical Writ, Melissa McCarthey rolled down 58th street in New York City on Sean Spicer's podium.




Saturday Night Live airs on NBC at 11:30 pm. It's now live in every time zone.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #196

A real American smile...

For today's musical hit, we have Nicki Minaj, Drake, and Lil Wayne and "No Frauds"



Today's critical rolls: If you're American, do you smile a lot? Why or why not? And if you're not American, do you think Americans smile too much? What's the custom regarding smiles in your country?


Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: we reserve the right to ban you for being a terribad citizen of the internet.

The Black God: American Gods and the Racism of Old White Men


Even before it aired on Sunday, Orlando Jones’s brilliant monologue about racism in America as Mr. Nancy in American Gods has been generating buzz. Rightly so. It’s a beautifully delivered gut punch about the harsh reality of race. “The Mythology of the Black Man in American Gods” over at Black Nerd Problems has been my favorite read on the topic, but all of the praise has been earned. What I haven’t seen is commentary on how American Gods follows up this speech with an object lesson courtesy of Czernobog. If you haven’t seen the episode yet, know that from here on out there be spoilers.

Neil Gaiman chose well in picking Czernobog for one of the first of the old gods to introduce Shadow to. Unlike Mr. Wednesday who hides his name to obscure his identity, most folks I know had to google Czernobog to find the Slavic god’s origin, and then the search results turned up the evil mountain from Fantasia (there spelled Chernabog), not much in the way of actual mythology. He’s as much a mystery to us as to Shadow.

When it comes to personality however, Czernobog is all too familiar. He’s an angry old white man of the kind I have known all my life. Men like him are at my work and at my family reunions with threadbare clothes and dirty jokes. His anger at the world feels righteous. His life has been hard. He’s fighting a losing battle to keep his livelihood against automation, and he has been trod upon for simply being himself. Certainly Czernobog’s distrust of “Wotan” feels legitimate for we know that Wednesday is a con man. But his anger is also terrifying because it lacks focus or purpose. He lashes out at everyone, not just those who have wronged him. Peter Stormare does a brilliant job with this push and pull. He lets us be drawn in with sympathy for the plight of a man who has lost his pride and then frightens us off with Czernobog’s dinner table talk of the details of slaughtering cows.

It’s also at the dinner table that Czernobog pulls the tired line of how there were no black people where he came from. He asks us to consider his status as the black god (in contrast to his brother the white god) as if it holds some relevance to Shadow’s experiences of racism in America. But Czernobog still holds the power in relationship between he and Shadow, so when he offers to play checkers, a game where each piece is supposed to be equal, it’s with a growing sense of unease that we see Shadow accept. We know that the supposed equality is an illusion. And the game itself is played for odds that seem so miserably out of favor for Shadow. His winnings would go to benefit Wednesday, but when he loses he bares the cost alone. And that cost is his life. I remember being shocked that Shadow lost when I read the book, but the show gives us a glimpse that perhaps this was inevitable.

“The Tragedy of Spoons” opens with Mr. Nancy telling us that, “Once upon a time, a man got fucked.” When Czernobog tells Shadow, “It’s a shame. You are my only black friend,” we see exactly how that happens.

Miz Opifex is a union electrician by day and a champion of feminine geekery by night. She lives in the American Rust Belt with her cat and a staggering amount of books, movies, and albums on vinyl.