Scream Queens S2 E5-6 Review: "Chanel Pour Homme-icide" and "Blood Drive"


Note: These reviews contain spoilers for the episodes. You have been warned.


"Chanel Pour Homme-icide"

I think that part of my frustration with this episodes comes from the stagnancy of the plot. I first became interested in Scream Queens because of the surprises that almost every episode had to offer. Anyone could die, almost every character had an underlying motivation, and plot twists would actually mean something. Unfortunately, this episode partially negated almost all of the previously introduced and new cliffhangers.

Firstly, a recurring element has revolved around Dean Munsch's anxiety about the murders being discovered by the public, and with good reason. If any reporters learned that patients were being slaughtered like cattle, they would pounce like a hungry tiger and close the C.U.R.E. Institute down. Sure enough, in this episode, the information is leaked, but after a few minutes, the Dean's narration merely reveals that it made the hospital more popular than ever. Who cares about the gruesome murders? They were cured, so let's go. 

It's similar to a fault that I had near the end of the first season. I understand that you have to have a healthy suspension of disbelief when watching programs of this type, but the ludicrous plot developments are starting to get irritating. A little dose of realism wouldn't hurt the show. In fact, it might just make it funnier and more entertaining in the long run.

Next, the end of the previous episode had the Green Meanie seemingly kill both Chanel Number Five and FBI agent Denise Hemphill. Almost immediately, the episode reveals that the Green Meanie's machete attack didn't kill the former and that the electrocution didn't completely kill the latter. Instead, Chanel Number Five is a reluctant ally of Zayday and Denise is in a coma, stuffed in a cryogenic freezer. Because of the nature of the show, she'll probably inexplicably wake up later in the series.

Finally, this episode raised more suspicion on Chamberlain Jackson, revealing that he's not actually a candy striper at the hospital. After a confrontation with Zayday, he just reveals that he's a random person who enjoys helping people. He only goes there to cheer people up. My issue with this plot development is that no one in the show is likable. Everyone has some moment that makes them irritating. Because of all of this, I can't find myself trusting his excuse.

As for this week's medical case, it's about Foreign Accent Syndrome. I just wasn't interested in it, as it felt like a poor excuse to have some of the actors put on different accents just to get a laugh. The character of Hester Ulrich saved the episode from being completely awful, mostly because she was actually funny. It's really cool to have a former serial killer on the show, someone who could be a potential ally, but also still pose a threat. The very end of the episode also reveals some interesting information, making Dr. Cassidy Cascade more of a suspect in the murder mystery. I can only hope that the next episode doesn't ruin it.

"Blood Drive"

Thankfully, this episode has vastly improved over the quality of the last one. I'm actually surprised at how many new plot developments were revealed. Firstly, we officially have the identity of one of the killers. At the end of the last episode, it was revealed that Dr. Cassidy Cascade was the mysterious baby from the pregnant woman, one of the only survivors of the rampage at the hospital. Said baby is a prime suspect in the case. While talking to Ingrid Hoffel, he revealed that he was only responsible for some of the murders. He also agreed to team up with her in an alliance.

Some key narration and a flashback also finally gives us a glimpse into Ingrid's past and why she has a vendetta against the Chanels. Her sister was accidentally killed by Chanel Number One all the way back in the first episode of the first season. After learning that the Chanels were going to become interns at the C.U.R.E. Institute, she vowed to make them suffer out of a need for vengeance. As for Brock, he was accused of being the killer and denied everything, insulting everyone in the room. It's possible that he could be the mysterious other killer.

The case of the week was much more interesting than last week's. It revolved around a man who believed that he was a vampire. Dean Munch assigned Hester to his case, now knowing that she was being harbored in the hospital and unable to think of a different way to keep her out of trouble. Her "brilliant" plan to cure him of the desire to drink blood was to take the blood from the blood drive and cook it into various foods, thus making him completely and utterly sick of it.

The blood drive itself also lead to quite a few funny moments in the episode, accompanied by inappropriately dramatic music during one of Chanel Number One's temper tantrums. It also lead to some more detective work from Zayday and her new ally, Chamberlain, having proven himself to not be one of the killers. Unfortunately, it also lead to one of the more nauseating scenes in the episode. In order to win the blood drive contest, Chanel Number One forces Chanel Number Nine to donate blood, genuinely terrifying me. I have a phobia of getting shots in general, so hearing her scream made me shudder. Her death scene made me even more uncomfortable, with Hoffel and Cascade draining all of the blood from her body. Despite my squeamishness, the episode was much better and I hope the quality stays at this level for the rest of the season.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Gwenpool Holiday Special- Merry Mix It Up Review: An Anthology Tale Tailored To Suit Your Needs


It's time for one of my new favorite holiday traditions, the reading of the Marvel holiday spectacular! Gwenpool Holiday Special: Merry Mix It Up is an anthology tale about the Marvel world's unique challenges during the holiday season and the second annual special issue. Worked on by a boatload of talented people, it's the second annual offering. Interestingly enough, the first issue of The Unbelievable Gwenpool premiered a few months after the inaugural holiday special. I wonder if a second title in the works. Probably not, but I wouldn't mind reading a Gwenpool Team-Up series.

The first story focuses on Gwenpool herself, wondering why the standard traditions of the good old 616 seem to have been warped, now focusing on Galactus instead of Santa. It's a pretty interesting mystery, especially because the source of this weirdness has spilled over into the rest of the holidays. I am wondering how it affected Chanukah. Maybe it just added an extra ingredient to latkes. I'll have to check once it begins on the twenty-fourth. Even though it's only a small part of the plot, I like the continuing implication that Gwen's home life wasn't the best. It adds more mystery to her origin. Finally, I appreciate the winter version of Gwen's usual mercenary costume. It's cool.
Somewhere, Luke Cage felt an urge to call his lawyer and didn't know why.
The next story focuses on Miles Morales and his belief in Galactus. Oh, sure, Ganke teases him about it, saying that only little kids still think that he's real, but Miles still has hope. After all, they've met Norse Gods. Thor exists and regularly hangs out with other superheroes. Assuming All-New, All-Different Avengers still exists in this alternate timeline, then they worked together. It's a great parody of those movies about teenagers who still believe in Santa Claus, especially because of the unlikely team-up of the Red Skull, Thanos, Fin Fang Foom, and M.O.D.O.K. It did leave me with one lingering question, however. Is that John Hodgman?
I'm serious, is that him?
The next story is a short one about the Punisher, Fin Fang Foom, and Ronnie's issues with Pantsgiving. Yes, Ronnie gets to star in a story of her own. Fed up with her low sales on Pantsgiving, a special holiday for wearing hot pants all day, she decides to summon Fing Fang Foom for some help. Yes. summon. I guess this version of the character is partially demonic in nature. Fortunately, Frank Castle is here to save the day.

I would like to see more of Carol and Monica discussing the various issues of being Captain Marvel, please and thank you.
The story after that is delightfully misanthropic. It stars the Red Skull in a happy go-lucky story about the holidays and (forced) attempts at diversity. He isn't happy that Hydra is no longer allowed to say "Hail Hydra!" anymore, due to some of its members wanting to hail other mythical creatures. By far, it is the weirdest story in the special and quite possibly one of the funniest. The morbid humor is exceptionally hilarious, especially when the ghost of Hitler pops up. Yes, you read that correctly.

Happy holidays, everyone! Enjoy reading about a firing squad while you sip some hot cocoa!
The final story revolves around Deadpool's attempts to creepily stare at people wearing scantily-clad Halloween costumes like a jerk. Unfortunately, everyone is dressed up like him, due to the phenomenal success of his film. It turns out that Squirrel Girl organized a Deadpool costume contest at her college. Will Deadpool win the prize? Will Tippy Toe ever get a snack? When will Squirrel Girl cleanse her foul mouth? You'll have to read it and find out.
I know what you mean, I've heard weird things in my college dorm. One of my suitemates loves watching Family Guy.
Overall, it's a pretty good special and I would recommend picking it up. While it doesn't have a lot of focus on other holidays, such as Kwanzaa or Chanukah, it's still fun to read.

Gwenpool Holiday Special: Merry Mix It Up is written by Christopher Hastings, Ryan North, Karla Pacheco, Nick Kocher, and Chynna Clugston Flores and drawn by Myisha Haynes, Nathan Stockman, Oscar Bazaldua, Bruno Oliveira, and Chynna Clugston Flores. You can find it at your local comic book shop.


Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Josie And The Pussycats #3: The Inherent Moral Ambiguity In Society (And A Beach Party!)


The issue starts off with a now-standard scenario. Josie, Alexandra, and Melody are successfully performing, this time on a beach. It looks to be going very well. They have a decent-sized crowd and the gig appears to be for a special event. It's definitely a step up from solo performances in a coffee shop. Alan is even there, much to Josie's delight. In between performing for the crowd, she can be seen happily flirting with Alan. Unfortunately, Alexandra arrives to ruin it. Melody sums her newest scheme up succinctly.

Melody's secret ambitions? Teaching a college Economics course.
This time, Alexandra's incredibly ostentatious plan to upstage Josie involves hoverboards, live animals wearing t-shirts promoting herself, and other free merchandise. And, yes, the flame from the hoverboards can turn sand to glass. Comic book science returns! However, that's where the formula changes. Alan and Josie abandom the rest of the group to go off and chat. Josie reveals the backstory for why Alexandra hates her so much, or, at least, her version of it. After an incident with a t-shirt cannon, she swims off to confront her nemesis, and that's where the other side of the story comes into play.
'Frog on a unicycle' is my new favorite insult and I resolve to use it whenever possible.
You see, Alexandra may be a huge jerk, but she's a Shakespeare-quoting jerk and she's generally honest. She reveals that Josie isn't as squeaky-clean as you might believe. She uses people, discarding them when they can no longer benefit her, citing Josie's earlier abandonment of Valerie and Melody as an example.

In a way, it does make sense. I do like the expanded character development for Josie and Alexandra, showing how not everything in life is simple and clear-cut. It's really impressive and a testament to the comic's quality that it can get so subsversive so early in the series. The sudden emotional ambiguity and darkness is even commented on in the issue itself with a Bojack Horseman reference.
BoJosie And The Horsie-cats, coming to Netflix this fall. Mr. Peanutbutter is the mascot.
Josie And The Pussycats #3 is written by Marguerite Bennett and Cameron Deordio and drawn by Audrey Mok. You can find it at your local comic book shop.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #95



For today's musical hit, I am obsessed with this choreographed video set to Moana's "How Far I'll Go," from the Kyle Hanagami Choreography dance studio. Besides my obsession with the music from Moana to begin with, I think what I love most about this video are the different races and body types of the dancers, and the giant UNITY IN DIVERSITY banner in the background. (Ivonne)




Today's critical rolls: If you could have a Twitter feud (or just a plain ol' conversation) with any famous person (even dead ones), who would you choose and why?


— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: following the freaking rules and be kind to your fellow humans. It's not that hard. Really.

Saturday Night Live S42 E10- Casey Affleck, Chance The Rapper: Celebrate The Holidays With Diverse Robots And A Tribute To President Barack Obama



Cold Opening: I guess we’ll be seeing a lot more of Beck Bennett (aka, the new voice of Launchpad on the upcoming DuckTales reboot) as Vladimir Putin, given the new and horrifying political climate. It’s a nice change from the usual Donald/Kellyanne dynamic, especially because I wish the show would do more to parody her. She’s done some things that are worth ridiculing, but her role continues to be the horrified, forced-ally of Trump. It’s a way to keep Kate McKinnon in the spotlight, but is it really making the best use of her considerable comedic talents?

In other news, John Goodman is the first cameo of the episode, making an appearance as Rex Tillerson. I would say that Alec earned that role with his political appearance, but he’s basically a recurring cast member at this point.


Monologue: Casey came off as rather awkward, but I’m not sure if that was part of the joke or not. In any case, it’s no Jimmy Fallon singing about Christmas, but it was okay. Alec Baldwin and John Goodman appeared again, so that's something. You can watch it here.

Dunkin’ Donuts: I guess these are the kind of people who frequent Dunkin’ Donuts. Well, there’s one sponsor that’s not going to be on NBC anymore. I kid, the commercial parody is really funny, taking the ‘actual customers’ promise to its logical conclusion, with a rowdy, rough housing jerk.



Robot Presentation: YES, Fred Armisen. I feel like it’s season thirty-seven again. Seriously, couldn’t he have hosted? In any case, I see what they were trying to do with this sketch. It’s progressive, but intentionally awkward. Beck Bennett, clad in makeup that makes him look creepy, plays a gay robot, making Casey Affleck’s character uncomfortable. It’s a by-the-numbers sketch, but it’s not bad. I do have to question why the presenters outed one of the other robots at the end, though. Come on, be nice! Robots have feelings, too. You can watch it here.


Jingle Barack: Kenan Thompson and Chance the Rapper singing, Jesus breakdancing, and marriage equality. I’ll miss President Barack Obama and this shows that the SNL cast and crew will, too. It’s a really catchy video and a great tribute to boot.


Christmas Miracle: Happy holidays, everyone. SNL gives us the gift of the third appearance of Ms. Rafferty, the most unlucky person ever to have a supernatural encounter. It’s really just an excuse for Kate McKinnon to do some weird voices, but let’s be honest, do we really need an excuse to have that happen? Hey, TBS, if you need another recurring character on People Of Earth, I recommend Ms. Rafferty.


Chance The Rapper Performance #1- “Finish Line/Drown”: I don’t know a lot about musicians in general, so I had to look up the name of the song on Wikipedia. I like it. It’s soothing.


Weekend Update: This edition featured some scathing burns from Colin and Michael. If this is going to be the second to last episode before the inauguration of an evil sentient Cheeto, then they’re going to get some solid burns in. Similar to Fred Armisen’s appearance, I enjoyed seeing him return to the Update desk with Vanessa Bayer as part of the recurring “Two Best Friends…” bit. You can watch it herehere, and here.

New York Now: Was I supposed to be laughing at the in-universe, cheesy comedy group? I just found it to be boring, to be honest. The highlight of the piece was the brief part with some of the performers being so focused on her work that she was neglecting her teenage son. I think it would have been funnier with more of a contrast between the very moral group making a comedic sitcom take on the birth of Jesus and their children wreaking havoc in the background. You can watch it here.

Hillary Actually: This proves it, Kate’s Hillary Clinton impression is just as funny when she’s completely silent. I’m not saying that this was a last-minute plea from SNL to the electoral college to vote for Hillary Clinton, but I’m not saying that it wasn’t, either.


Chance The Rapper Performance #2- “Same Drugs”: Once again, I liked it. I should look up more of his work. You can watch it here.

Mrs. Claus & The Elves: Ugh, I’ve never liked this sketch. I just find it creepy, rather than funny. I know why people like it, but it’s just not my kind of humor. If you want to, you can watch it here.

Christmas Bar: To quote a certain velvety-voiced fictional newscaster, that escalated quickly. An awkward meetup with a stereotypical Brooklyn turns into a knife fight, with everyone doing the same bad impression. Is Brooklyn made up of a hive mind? SNL is in New York, so are they actually delivering a warning message about aliens through comedy? Wait, maybe they’re impersonating Woody Allen, which makes it go to more levels of creepiness, given the recent allegations against Casey Affleck. Anyway, it wasn’t the strongest sketch to end an episode on, but it wasn’t awful. You can watch it here.

Overall Thoughts: I’ve always had a soft spot for the Christmas episodes. They have a sense of happiness and joy. Thankfully, this year was no exception. Filled with some quality guest stars and a ton of great sketches, it definitely made for a memorable episode. I just hope that the political situation will be better when the show returns on January 14th, with Felicity Jones as the host. Save us, electoral college, you’re our only hope.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Reggie And Me #1 Review: The Softer Side Of Reggie


Believe it or not, Reggie Mantle isn't completely awful. Granted, he's still a jerk, but at least a fraction of his actions have a somewhat Freudian excuse. Narrated by his faithful dog Vader, the premiere issue of Reggie's miniseries reveals that he doesn't have the best home life. His father is a wheeling and dealing newspaper editor, while his mother is part of many different charitable organizations, but doesn't pay a lot of attention to Reggie himself.

Reggie's dad is the reverse clone of Paul F. Tompkins.
Really, Vader is his one constant companion. The other teens in town are fickle and readily desert his house party to go to Veronica's. He used to be friends with Archie, but that presumably ended sometime after they became teenagers. Reggie doesn't want pity, that'll put you directly on his enemy's list, but he does want romance. Yup, just like practically every other incarnation of the character, he creepily lusts after Midge, who is dating someone else. (Moose Mason, to be specific. He's the closest thing Riverdale has to the Hulk.)

Gosh darn it, Reggie, stop giving me flashbacks to Afterlife With Archie!

I do appreciate that this story implies that Reggie is actually friends with Midge, and not just a stalker. It doesn't make him any less creepy in his attempts to ask her out, but it shows that he is capable of being a good friend. For all I know, maybe he was friends with her before he developed the crush and she was dating Moose when it happened.

Anyway, I really do like Reggie's relationship with Vader. It definitely serves to humanize him. Who doesn't love a dog? They're cute, loyal, and faithful. Reggie rescued Vader from a shelter, and Vader idolizes him in return. Incidentally, that does provide an interesting insight into the story. Similar to Hot Dog recounting the events of Betty And Veronica, Vader narrates Reggie And Me, being the eponymous 'Me' in the title. He does raise some good points about Reggie's behavior, but is ultimately an unreliable narrator.

Reggie And Me #1 serves as an introductory issue for the miniseries by examining Reggie's relationship with his fellow teenagers and his dismal home life. It's a fascinating character study into what could simply be a one-note character. I'm interested to see what happens next and if Reggie can ever repair his friendships. I don't know about you, but the focus on those "Zero Violence Tolerance" posters looks pretty ominous to me.

Reggie And Me #1 is written by Tom DeFalco and drawn by Sandy Jarell. You can find it at your local comic book shop.


Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #94



For today's musical hit, revive your nostalgia, 80s kids! The new cast (which includes Dani Pudi and David Tennant) of Disney's remake of Ducktales sings the theme song, and it is glorious. (Ivonne)



Today's critical rolls: Regardless of what you do for work right now (or if you work at all), if you could pick your dream job right now, what would you be doing?


— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: don't get into a Twitter war with anyone who looks at you wrong, you fascist.

The Flintstones #6 Review: Cancelling The Abacus Apocalypse


The Flintstones #6 is about the worst of humanity. It starts off with Bedrock experiencing a near-idyllic day, but a misinformed doomsday prediction brings out the violence and fear in everyone. Naturally, it made me think of the chaos brought up on by the 2016 presidential election. However, what sets this apart from the standard end of the world scenario is the emotional response. We actually see not only the darkest impulses of most of the townspeople brought to life, but how they really feel about each other.

Affairs are exposed and ugly habits arise. The churchgoers turn on Gerald and the police are apathetic. Mr. Slate realizes that he doesn't want to die alone and invites his employees to join him at his mansion. Unfortunately, no one arrives, leaving him alone with his turtle, Philip.


I do wish that the story was more-defined. Something about it just feels rushed. However, based on the solicitation for the next issue, I'm going to treat this as the first part of a two-part arc. At least to me, it makes sense. In this one, chaos reigns and the town goes wild. In the next one, the Great Gazoo judges everyone on their bad behavior. Overall, I would recommend the issue, but be prepared for a near-death experience by asteroid.

The Flintstones #6 is written by Mark Russell and drawn by Steve Pugh. You can find it at your local comic book shop.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Slapstick #1 Review: A Gloriously Gory 'Toon


Fred Van Lente and Reilly Brown have outright stated that when writing Slapstick, the intention is to have a different tone than the average Deadpool issue. Where Deadpool at least has a plan some of the time, Slapstick is a massive idiot. Deadpool can heal from practically anything you throw at him, but Slapstick just won’t be fazed. Most importantly of all, Slapstick will have dumb humor, perfect for those who “find Deadpool too highbrow.” Right off the back, I can say that they have absolutely succeeded.

The announcement that Slapstick would receive another ongoing series made me incredibly happy. I just love the absurdity of Slapstick’s origin, which was purposely meant to be as bizarre as possible. Due to the actions of maniacal clowns from Dimension X, Steve Harmon was ‘gifted’ with powers that allow him to turn into a living cartoon character. In this guise, he has all the powers of a cartoon character, including being able to grab items out of nowhere and instantaneous costume changes. He also received a little gadget that would allow him to transform from ‘Slapstick’ into his boring human self.

Unfortunately, said device was smashed, leaving him stuck as a cartoon character. Being stuck in the form of a ‘toon has left him in a very precarious mental state, especially because he no longer has a functioning, ahem, ‘dingus.’ Did I mention that he was a teenager when the transformation first occurred? So, basically, we have a nigh-indestructible cartoon character with anger issues and an inability to act on any ‘amorous’ feelings for several years.

All of that being said, the grand return to Slapstick’s solo misadventures is absolutely incredible. It’s a tour de force of ‘dumb’ humor, especially when Slapstick uses his powers. He fights crime in the manner of Bugs Bunny, but he’s not likely to pop up, chomping on carrots and teasing Elmer Fudd. No, Slapstick is much more likely to rip your ear off and use it as a sock puppet or just scream obscenities at you. Like I said, the guy has anger issues. Every single time Slapstick uses his powers to stop criminals, I burst out laughing.


He spits bullets at smugglers, tricks a group of thieves into shooting each other, and uses his beloved mallet to hand out concussions with generosity. You know, I think I can see why Deadpool initially hired him as a member of the Mercs For Money.

On another note, I'm a fan of the sound effects. TEEF! ZWOK! GUN!
Spider-Man guest-stars in the first issue, calling back to his appearance in the initial miniseries and it’s great. Because Slapstick is so conceited, he has no memory of ever meeting Spider-Man. He doesn’t even know that he exists, just seeing him as some weird criminal.


Gerty- BAM!, Gerty- BAM!, Does whatever a Gerty can! See a thief, squash his eyes; just as fun as titanium pies! Look out, here comes the Gerty- BAM!
Apart from that, Quasimodo finally returns to the Marvel world. The Mad Thinker is one of my all-time favorite villains in the Marvel comics and Quasimodo was one of his first artificial intelligence/robotic creations. I like how he’s also portrayed as a loser in his personal life, but still a credible threat to Slapstick.

Slapstick is Marvel's Who Framed Roger Rabbit. Overall, the story arc makes me giddy with excitement. Steve’s life outside of being a misguided merc is entertaining and the implied continuing presence of Quasimodo is promising. Fred and Reilly have proven that they can make not only a laugh-out-loud story but also weave in continuing threads to keep the reader interested. Diego Orlotegui’s art is perfectly tailored to the story. Slapstick’s cartoony nature is exaggerated in comparison to the fairly typical humor characters. It helps to get a sense of what this corner of the Marvel world is like and become more drawn to it.


I’m definitely hooked on the comic and I can’t wait to see what else the creative team has cooked up. In interviews, they said that original cartoon characters that parody various genres would appear. I’m excited to see what they parody. Finally, the comic also has something that I've been missing in comics. Sometimes I'm tired of the same X-Men and Inhumans origins. I feel nostalgic for the old days where heroes got their powers from an accident or cosmic chance, and this fills that need.

Slapstick #1 is written by Fred Van Lente and Reilly Brown and drawn by Diego Orlotegui. You can find it at your local comic book shop.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #93




For today's musical hit, check out Childish Gambino on Jimmy Fallon, singing "Redbone."





Today's critical roll:

Are you in favor of white male genocide? Or to put the question another way: have you seen/are intending to see Rogue One? Are you totally pumped? Why or why not?


— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: don't be a loud-mouthed Nazi asshole. Seriously, just don't.