Scream Queens S2 E3 Review: "Halloween Blues"



Note: This article contains full spoilers for character deaths. You have been warned.

I feel sorry for Denise. She’s genuinely upset about Chad’s death, based on their relationship. One of the almost-completely serious scenes in the episode shows her grieving for him. I also have more respect for her after she nearly managed to stop and unmask the Green Meanie in their first confrontation. Of course, just when I start to think that she’s more than a one-note character, she dies in the second duel. Well done?

RIP, Special Agent. Your Quantico training will go down in history. Watching Quantico on ABC, that is. I'm not sure what you actually did at the location.
This episode actually managed to freak me out in one of the early scenes. After it’s revealed that all of Chad’s money is going to Dean Munsch and the C.U.R.E. Institute, Chanel goes deathly still. Chanel #5 warns everyone to get out, but then Chanel starts moving. An unearthly sound starts coming out of her mouth as she leaps over the desk in slow motion, lands on the lawyer, and starts beating him up, with disgustingly realistic crunching noises added in. I am completely serious. Her screaming sounds like an air raid siren.

In the last season, “Chanel-O-Ween” was meant to be a parody of a viral video involving Taylor Swift handing out presents to her fans. Presented in a similar format, it had Chanel giving out disgusting gifts and horrible messages to her fans. Yes, Chanel has fans. Who knew? In any case, the recipients were incredibly happy to be personally insulted by her. I’m no longer going to question why they still love her after that. I just need to go with it at this point.

This year, she outright says that she’s trying to get her fans to realize how much she hates them by raiding the local morgues for parts. No, really. It’s one of the most graphic and disgusting sequences in the season, made funny by the heartwarming song in the background. It doesn’t work and the fans still cry and squeal over a bag of pus, maggots, and the various other stomach-churning gifts. I can only imagine what will happen if the show is renewed for a third season. Maybe Chanel will upgrade to mental and physical abuse.

“Halloween Blues” was a pretty good episode. It’s hard to make up for the trifecta of Halloween-themed episodes in the previous season, but it still had plenty of gory fun. I still am genuinely invested in the mystery, even if most of the characters continue to be obnoxious and awful.

Killer Kountdown:

Catherine Hobart, aka “Werewolf Lady”, Tyler, Randal, Special Agent Denise Hemphill, and Chanel #5 aka Libby Putney- They are the least likely to possibly be the killer, as they are all very dead. Technically, we didn’t see Chanel #5 die on screen, but I’m pretty sure that both of them are dead. Also, I’m not adding Chad’s ghost to the list. Scream Queens is weird, but not that weird. 0/4 skulls

Ingrid Hoffal- It’s the same as last time. However, the promos indicate that she might appear in the next episode, so maybe that will change. 1.5/4 skulls

Zayday Williams- This episode really seems to be indicating that she’s not the killer. I’m still suspecting everyone, but I couldn’t find any evidence implicating her. 1/4 skulls

Chanel Oberlin and Sadie Swenson, aka “Chanel #3”- They both outright said that if they say Chanel #5 at the party, they would kill her. 2/4 skulls

Doctors Cassidy Cascade and Brock Holt- Holt implies that he could be the killer. He compliments the Green Meanie in an “I don’t know that guy, but he sounds really handsome!” kind of way. For a frame of reference, think Spider-Man talking to Mary Jane and saying that Peter Parker is really cool and that she should ask him out. Cascade wasn’t very suspicious in this one. 2.5/4 skulls

Cathy Munsch- No matter what she said in the episode, she just had this creepily calm tone of voice. I do not consider her trustworthy. 2.5/4 skulls

Hester Ulrich- She was wandering around in a costume, wielding a knife. Agent Denise Hemphill gave her permission to walk around, now she’s dead. Technically, she has free reign now. 4/4 skulls

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Archie #13 Review: New Arc, New Antagonist!


The story starts off on a sad note. It appears as though Archie merrily hanging out with Veronica. They talk about seeing the new Josie And The Pussycats concert, see a movie, and go for a drive. It quickly becomes apparent that, at least to his point of view, she’s literally been cut and pasted out of his life.

Dear God, DC Rebirth is spreading to other companies! EVERYBODY, RUUUUUUUN!
 It shows just how broken up he is about not getting proper closure with Veronica, or any kind of closure at all, really. In a way, it reminds me of the beginning of the third season of Agents Of S.H.I.E.L.D., where Fitz is conversing with a hallucination of Simmons.

As for Betty, she is still heartbroken over not being in contact with Sayid anymore. Her story dovetails with Archie’s as we see her brother, Chic, helping her at the same time as Jughead tries to cheer up Archie. It’s a great example of parallelism in motion, especially as their respective conversations eventually collide.

Over on Veronica’s side, she is absolutely miserable. Mr. Lodge has made communication between anyone from Riverdale virtually impossible. Fortunately, she makes a new friend...Cheryl Blossom! She initially establishes herself as a friend, but quickly reveals her rotten roots. The cover is especially brilliant at subtly showing her personality. She’s smiling, but holding a large pair of shears, ready to slice some flowers.
That's not ominous at all.
Archie #13 is a wonderful starting point for new readers, as well as a neat opening for the new story arc. I’m excited to see what happens with Cheryl in the future, especially if Mark Waid attempts to humanize her. It’s been tried before with varying amounts of success. Aside from that, it's just nice to see Cheryl back to her roots of being a jerk, instead of the incredibly disturbing characterization in Afterlife With Archie. Not that the subplot in AWA was badly written, but I just found it uncomfortable and difficult to get through. Definitely pick the comic up!

Archie #13 is written by Mark Waid and Lori Matsumoto, drawn by Joe Eisma, and colored by Andre Syzmanowicz. You can find it at your local comic book shop.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #54


For today's musical hit, check out something mellow, but visually awesome, with Arctic - Visual Vibes. (Ivonne)




Today's critical rolls:
1. Sword-gun or gun-sword?

— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: don't be a jerk. Seriously, just don't. 


Off the Beaten Path: Virginia


Welcome to Off The Beaten Path, where we present reviews of non-AAA gaming titles and discuss issues pertinent to women in gaming.



I’ve been waiting for the release of Virginia for a while now, ever since Variable State released the first screenshots promising an interactive Twin Peaks. What I ended up getting was not quite what I expected — fitting, given the game’s spiritual parentage. Still, I can safely say that I enjoyed my time with it.


Virginia is set in Kingdom, VA in the 90s over the course of a single week. The game follows two FBI agents – both women of color – as they conduct an investigation into the disappearance of a boy. Except this isn’t the only thing that’s going on, or even possibly not what actually is going on. Befitting its Lynchian origins, the game has a surreal, oneiric atmosphere, and the satisfaction it provides is more emotional and aesthetic one, rather than intellectual.

I’m not deliberately trying to be vague about the plot, but any detail I provide risks providing unwanted spoilers. Especially since it’s a short game that can be finished within 3 to 4 hours. It’s an interactive film in more ways than one: each scene is available from the start, mimicking a DVD of a movie. And it’s structure is much closer to cinematic, similarly to a different game from 2012, Thirty Flights of Loving by Brendon Chung.


Chung is probably a pioneer of using cinematic cutaways, creating the closest a game can come to being a movie. Usually in a game the player has to traverse every location from start to finish, but Thirty Flights of Loving does away with it by making its scenes long enough to convey its point (a chase sequence, for instance) and cutting away to the next one. Virginia is similar, except instead of creating an interactive version of an Adult Swim cartoon, it creates an actual movie. The cuts also actually emphasize the oddness of its atmosphere, as this isn’t something games generally do, moving to a different location without the player’s conscious choice.


But the cinematic experience comes with its flaws. Aside from movement, the game only allowed mode of interaction is clicking a mouse button (or tapping a controller button), when prompted. This leads to a recurring issue of not quite knowing when the game lets you do something, and when it takes control from you. There are also many occasions when it locks your point of view, allowing very limited camera movements. Sometimes you can turn it in 360 degrees; other times it locks you to 180; and on other occasions you can’t look up.


Still, even with those imperfections it’s a game I enjoyed my time with. It’s definitely not a title for everyone, more so than usual. But even if you don’t enjoy it, it’s still an amazing, unforgettable experience.

Virginia was created by Variable State, and published by 505 Games. It’s available on Steam. There’s a free demo to see if you're interested in purchase.

Dominik Zine is a nerdy demisexual lad from northeastern Poland and is generally found in a comfy chair with a book in hand.

Modern Jewish Representation And Crazy Ex-Girlfriend



Note: This article contains mild spoilers for the first season of Crazy Ex-Girlfriend. 

If you are Jewish, then you have most likely realized that the majority of characters on television are either Christian, Catholic, or some other fairly similar religion. For the most part, Jewish characters are a minority. If a character is Jewish, then their religion might only be referenced with a single line. It’s likely that you’ve all heard one character, typically a recurring or minor one, in a Christmas episode say that they celebrate Chanukah. Alternately, maybe they said Hanukkah. There’s a running joke among almost everyone that it has multiple spellings.


As for significantly more major characters, well, almost all of them fall under some stereotype or another, or merely just don’t have any references to Jewish culture at all. Even Isabella Garcia-Shapiro from the Disney cartoon Phineas And Ferb, is explicitly said to be Jewish, but it’s also said that she celebrates Christmas in the show’s first Christmas episode. To be fair, as with all of the main characters, her father is never seen or mentioned, so it can be implied that she celebrates both holidays. There’s also a pretty great song in one episode that shows off some well-researched information and clever puns about a Mexican-Jewish cultural festival.



Glee’s Rachel Berry is also Jewish, but you would be forgiven for not knowing that. Not only is she given only token references to her own religion, but she isn’t even played by a Jewish actress. Normally, that wouldn’t bother me so much, but the show had Jewish actors on it. (For the record, none of the Jewish actors play Jewish characters.) On the other hand, Jacob Ben Israel, who has multiple references to being Jewish is not a particularly great role model.


Seinfeld, contrary to what you might believe, was very ambiguous about it. The fictional version of Jerry was Jewish, but was shown eating food that wasn’t kosher, namely, lobster. Additionally, while many of the characters used Yiddish phrases, that may be due to Jerry Seinfeld and Larry David being Jewish and simply writing in phrases that they used or heard. Also, fun fact: Kramer’s last name was originally going to be Kessler, but Brandon Tartikoff, one of the higher-ups at NBC at the time, had it be changed. His reasoning amounted to ‘Kessler’ sounding too Jewish and wanting the show to appeal to a broad variety of audience members. Sure, that makes sense when the star of your show is Jewish. A similar comedy that takes place in the eighties, The Goldbergs, actually is similar, being a semi-autobiographical show created by Adam F. Goldberg. While it doesn’t necessarily have a large amount of elements, it did devote an episode to Chanukah. Alison Brie plays Annie Edison on Community, and while not a major part of the show, her religion does play a key role in some episodes. In general, Community is actually very good about showing a variety of religions.

Additionally, a few scenes in The X-Files imply that Mulder might be Jewish, Friend’s Monica and Ross Geller are implied to be Jewish due to their father’s lineage, but that’s not how it works in real life. Rachel Green is also hypothesized to be Jewish, but, again, nothing concrete. In Sex And The City, Charlotte York-Goldenblatt does convert to Judaism to marry a lawyer, but the ‘Jewish lawyer and/or doctor’ is another stereotype in itself. A friend did notify me that Arrow's Felicity Smoak is Jewish. I did some research and she does have a menorah at her desk and she is shown performing a Jewish burial ceremony at a friend's funeral. Namely, the tradition of putting some dirt on the casket. Adding to this, she does have a menorah and says 'Mazel tov,' which roughly translates to 'Congratulations!' in Yiddish. There was a questionable moment in the fourth season involving a gas chamber, but as I'm not far enough into the show to have seen it, I'm not going to judge it yet.

While primarily only based on supplementary material, the hit Disney cartoon Gravity Falls actually has a wonderful Jewish character. Many viewers believed that Grunkle Stan, Dipper Pines, and Mabel Pines were all Jewish due to their usage of Yiddish phrases and because they are based on the creator’s life experiences, similar to most of the show’s more realistic material. As with many other parts of the show, they are written based on his personal life experiences. Finally, according to a tweet from creator Alex Hirsh, they were not raised with the holidays, but they celebrate all of them ‘at Mabel’s insistence.’


You might remember the PBS cartoon Arthur as being based on the famous book series, but it has a prominent Jewish character in Francine Frensky. On several occasions, her family is shown celebrating Yom Kippur (“Is This Kosher?”) and Chanukah (“Arthur’s Perfect Christmas”). The former even references Yom Kippur for almost the entire episode, showing Francine trying to follow the tradition of fasting.


This is especially important, as it shows that Chanukah isn’t the only Jewish holiday that exists. You would be surprised at the amount of people that only know about Purim and Chanukah. While not specifically part of the show, “A City View,” an episode of the live-action spin-off Postcards From Buster, has Buster traveling to meet with a Jewish family in New York City.


Sadly, now for the awful examples. The infamous Comedy Central animated show South Park has a Jewish character, Kyle Broflovski, but the writers don’t let that act as a deterrent for the use of anti-Semitic jokes and slurs under the guise of comedy. One example of this would be Eric Cartman turning into a Nazi after watching The Passion Of The Christ. While it is true that the purpose of the episode was to satirize Mel Gibson’s anti-Semitism, the stereotypical Jewish characters in the show were so awful that it only makes the show look like it’s missing the point.

Even with that, Family Guy still has an even worse track record. Mort Goldman is one of the most flagrant, offensive stereotypes. I don’t think it is possible to find a single Jewish character on the show that does not fall into the stereotypes of Jews being greedy, and whiny. I am not going to repeat them here, but it seems as though Seth McFarlane, someone who is Jewish, can get away with the jokes using ‘social commentary’ or the fact that he is Jewish as a reasonable excuse. I am of the personal opinion that when a show has made Nazi jokes, Hitler jokes, Schindler’s List jokes, and multiple Holocaust jokes, there are no redeeming factors or reasonable excuses.



Crazy Ex-Girlfriend has some of the best representation of Jewish characters and Jewish culture in recent television history. This is unsurprising, as Rachel Bloom, who plays Rebecca Bunch, acts as the creator, star, and one of the writers for the CW program. Rebecca Bunch is shown to be Jewish even in the first episode, and the eighth one partially shows her celebrating Chanukah. It opens up with Eastern-European versions of herself and her mother immigrating to America on a boat, before a delightful scene of Rebecca decorating her house for Chanukah, complete with appropriate music in the background.

I can’t describe how utterly delighted I was when it began to show her putting up decorations similar to the ones that are put up in my house every single year. Representation is wonderful, especially when you see characters behaving in similar ways to you. For added delight, the opening scene is in Yiddish and the decorating montage has a clever joke about the seemingly endless variations on how to spell Chanukah. Various other episodes show her interactions with her mother. The thirteen episode, “Josh And I Are Going To Los Angeles!” even has a Judaism-themed rap battle between Rachel and one of her former coworkers at a legal firm. Among other items, it features references to Yiddish, primarily Jewish sections of New York, and the holy tradition of birthright. I’m half-joking when I say this, but that one song has more references to Judaism than your average tv show.

I do have some nitpicks about the show, such as the occasional over-the-top stereotype of Rebecca’s Jewish mom and the two brief mentions of the stereotypical “Jewish nose” by Darryl, but they are few and far between. Mrs. Bunch’s song, sung entirely in a Klezmer folk tune by the Jewish actress Tovah Feldshuh, is glorious.

In doing my research for this piece, I have noticed that some of the most well-developed Jewish characters are from the late nineties to the early 2000s. I hope that this will start a pattern of accurate, well-rounded characters who celebrate all kinds of Judaism in various television shows to come. This is important because not only will it validate viewers, it will also teach people about Judaism and stop the prejudice. Just imagine a little kid watching Rugrats and you see the families celebrating Chanukah and telling the story. You can proudly jump up and say, "Hey, hey, they're talking about my holiday!" Earlier, I mentioned an episode of Postcards From Buster that had a Jewish family in New York. I distinctly remember being on a family vacation and seeing that episode pop up on the television in our hotel room. I ran to go get my parents and joyfully show them the screen.

Representation can lead to spreading knowledge of the Jewish faith, culture, and traditions. In turn, that will bring out a new generation of people who understand that the Jewish people are not a one-note joke about being able to solve math problems or an obsession with money. Similar to how G. Willow Wilson's Ms. Marvel has brought about a wave of appreciation and normalization, seeing more Jewish characters on the small screen can do the same thing. Maybe the Marvel Cinematic Universe can start doing the same thing with Agents Of SHIELD. Edwin Jarvis's wife was Jewish, but she isn't a superhero. Perhaps they can introduce the Israeli superheroine known as Sabra, Moon Knight, or the Hulk ally Doctor Samson, whose very name is rooted in Jewish legend.

I want to see more representation on television during the upcoming years of production in order to teach the world that Judaism isn't a joke. It's a legitimate religion and it has deep connotations and meanings. This is why I can’t wait for Crazy Ex-Girlfriend to return, not only for the accurate and nuanced depiction of Jewish characters, but also for the show’s amazing levels of humor and emotional depth. You can bet that, as a Jew, a Jewish comedy fan, and a fan of comedy in general, I will absolutely be watching it.

Crazy Ex-Girlfriend airs on the CW Network on Fridays at 9 pm.

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Critical Hits & Misses #53




For today's musical hit, what happens when Weird Al moderates the last presidential debate? Why he opens a portal to hell, naturally. (Ivonne)



Today's critical rolls:

— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others:

Luke Cage Roundtable Review - S01E03-06


This time, we follow last week's Luke Cage roundtable with our thoughts on the following four episodes. We'll discuss the escalating conflict between Luke and Cottonmouth, the surprising character reveal and the secret origin of Luke Cage.

Luke Cage - S01E03 - Who’s Gonna Take the Weight?
Following the attack on Pop’s barbershop, Luke starts hitting Cornell Stokes and Mariah Dillard where it hits them - their money. (Netflix)

Luke Cage - S01E04 - Step in the Arena
The secret origin of Luke Cage. (Netflix)

Luke Cage - S01E05 - Just to Get a Rep
The conflict between Cage and Stokes intensifies, with the former attempting to ruin the latter’s name. Meanwhile, following the events of Daredevil season 2, Claire Temple returns home to Harlem. (Netflix)

Luke Cage - S01E06 - Suckas Need Bodyguards
After Stokes shoots a police officer working for him, Harlem becomes a war zone as Luke tries to protect the cop for the information he has on Cottonmouth’s empire - and Cornell tries to silence him permanently. (Netflix)


Dominik: After two episodes, the conflict between Luke and Cornell Stokes is fully set up. Luke, feeling ready to step up after Pop’s death, starts taking down Cottonmouth’s every operation one by one with his final aim being the Fort Knox itself - the impenetrable vault in the Crispus Attucks Complex. Though bringing down the Harlem criminal empire is only one of his reasons; the other is getting the funds necessary to keep Pop’s barbershop operating. It all culminates in a spectacular, Terminator-inspired assault on the complex, to the sound of Wu-Tang Clan’s “Bring Da Ruckus.”

Meanwhile Misty and Scarfe are trying to get Chico to tell them everything he got about Cottonmouth’s operations from the deceased Dante and trying to make sense of Luke moving in on Stokes. Chico ends up deciding to tell everything to Scarfe (with Luke providing some moral incentive), only for the man to kill him in cold blood after getting Luke’s name. Scarfe has been on Cottonmouth’s payroll the whole time, and he gladly reveals to his employer the name of the man who made him bankrupt. Stokes takes revenge in his own hands… firing from a rocket launcher at Genghis Connie, where Luke is having dinner.

What did you think of the progression of Luke’s assault on Cottonmouth, Misty and Scarfe’s parallel investigation – and the reveal of Scarfe’s true loyalties?

Aranwe: 3 episodes in, and we finally get Luke Cage’s obligatory ‘Hallway fight’ scene that have become a signature of Netflix’s Marvel shows. The differences between this one and Daredevil’s are staggering; over there Matt was struggling to keep enemies down and himself in one piece, while over here Luke was basically an unstoppable tank, and it was glorious. Overall, the whole thing is a huge victory for the good guys so early in the season, so naturally it comes at a cost. I liked Scarfe, and assumed he would be the one white man who’s an ally in all this, and his friendly rapport with Misty seemed to confirm that. As such, I ignored all the warning signs, and his sudden murder of Chico caught me completely off guard. And while we’ve done the whole dirty cop thing already with Fisk, having one so close to a main character adds a new layer of interest.

On a side note, the end of the episode with Cornell firing a rocket launcher at Genghis Connie’s was so many levels of ridiculous, but I kind of loved it.

Adrian: I appreciated Charles Bradley performing 'Ain't It a Sin' as the musical montage backdrop, while Luke hits Cornell's stash houses. Pieces of song could be be attributed to either Luke or Cornell's train of thought, but there's a third consideration in this: Mariah. The discussion Cornell has with Mariah in the midst of Luke's initial hits was a fascinating one. While Cornell is interested in the money, Mariah insists she's interested in making positive changes in Harlem, "Nothing I do is a hustle." Luke's two-headed opponent is more layered than perhaps Luke believes. It doesn't matter much to Luke when he assaults the Crispus Attucks complex, but just as he decimates Cornell's treasury, he damages Mariah's carefully-laid plans. It’s a well-considered set up for what’s to come.

Ivonne: Not gonna lie, I was surprised AND disappointed that Scarfe was dirty. I liked him and his dry humor so much early on, I was sure he was going to die for the cause because he was so likeable. I mean, it hit me that he was dirty the minute he wanted Chico alone, but still… until that moment, I had no idea.

Luke hitting the stash houses was awesome in every way. The music, the action, him just walking through people trying to hurt him and him having this look of being entirely put upon, like “man, why are you wasting my time?” I loved it.

Ending the episode with Cornell firing a rocket launcher at Genghis Connie’s was all kinds of awesome. We were sitting in a room full of people watching, and there were audible gasps followed by “Holy shit!” and nervous laughter. Ridiculous, sure, but unexpectedly amazing.


Dominik: The next episode deals with the aftermath of the explosive climax of the previous one, but its primary interest is in showing us how Luke Cage became who he is. It turns out Luke’s real name is Carl Lucas, and he was a falsely accused Georgia police officer, incarcerated in the private detention facility, Seagate Prison, run by Albert Rackham (played by Chance Kelly), a sadistic correctional officer. In prison, he ended up befriending fellow inmate Reggie “Squabbles” (played by Craig Mums Grant) and developing an attraction towards prison psychologist Reva Connors. Rackham forced Luke to participate in the underground fight club by threatening Squabbles’ life, and after Luke tried to expose his operation, he had him beaten to death by two inmates, one of them the man currently known as Shades. Reva tried to save him by bringing him to Dr Noah Burstein (played by Michael Kostroff), a scientist running secret experiments on inmates. Rackham found out, and tried to kill Luke mid-operation by cranking the equipment to maximum, only for it to overload and explode, granting Luke his invulnerability and super-strength. Reunited with Reva, Luke left Georgia with a new identity and Reva.

Back in the present, Luke frees himself and Connie from the restaurant’s rubble, revealing his powers to the media surrounding it – and to Misty.

What did you think of the full-episode flashback? How did you think it worked with the rest of the episode?

Aranwe: A lot to unpack in this episode. The parts in the present felt rather unnecessary, you could’ve just given us the entire episode as a flashback, with a short beginning and end in the present, and I would’ve had no problem with that.

Aside from that, it was certainly interesting. We all know what Reva’s eventual fate will be thanks to Jessica Jones, but seeing how Luke and her first met was nice. It’s also pretty clear she knew more than she was letting on. She said she had no idea about the illegal fighting ring, but also somehow knew enough about the experiments to convince Dr. Burstein to save Luke.

After the procedure, the scene with Luke decked out in his full classic getup, with bracelets, tiara, afro and yellow shirt is cheesy as hell (as was the way he picked the name ‘Luke Cage’), but it does work, in a fun way.

Adrian: I didn't have a problem the flashback integration. Luke being trapped and trying to protect another trapped person seems like a simple but clear parallel to prison. The other parallels and parables in this episode are salient: Luke being subjected to unethical experiments and tests reminds of the Tuskegee experiment. Luke's forced gladiatorial combat reminds of the mass incarceration of black men being an extension of slavery ("Slavery was always a good offer... to a master."), an idea most recently confronted in Ava DuVernay's new Netflix hit film, 13th. In addition to this meaty foundation, they showed us Luke's vulnerability. In The Shawshank Redemption, inmates take bets to see who's going to crack on the first night. Here, it’s Luke who breaks down, weeping, and reminding himself "Just remember who you are... and you'll get through this." It's an important moment, showing us that even the toughest, strongest men contain vulnerability, because of course he does: Luke might be super-powered, but he is human.

Ivonne: The flashback worked well (it doesn’t always… witness the less-than-useful and super contrived flashbacks of Arrow season four, for example). Flashbacks are a useful narrative tool, and I thought the way it was handled in Luke Cage was well done. Once again, I was not suspicious of Reva most of the time throughout this narrative, but that has as much to do with the impression I had from Jessica Jones that she was an innocent. An impression, of course, that primarily came from Luke himself. Learning that she lied about stuff to him was as heart-breaking to me as it was to him.

Bonus points for dressing up Luke, however briefly, in his classic comic book look of yellow shirt and tiara. A+++ would watch again!


Dominik: Unable to kill Luke, Cornell Stokes goes against his name by having his men start extorting Harlem residents as a “Luke Cage stupidity tax” (to turn them against his enemy). This keeps Luke busy being a hero for hire, while he searches for more permanent solutions. Shades provides one, courtesy of Diamondback: a Judas bullet, made from Chitauri armor by, of all companies, Hammer Industries (looks like they finally managed to get something to work), but Stokes is turned off by the astronomical price. In the meantime, he has to deal with Domingo Colon by getting him the weapons he tried to supply him with back in episode 1. He orders Scarfe to get them from NYPD evidence, but the corrupt cop decides to withhold them to get more money from Cottonmouth. But his troubles are only starting: Misty is told by her superiors, Lieutenant Perez (played by Manny PĂ©rez) and Captain Audrey (played by a The Wire alum, Sonja Sohn) that they suspect Scarfe of being on Cottonmouth’s payroll. Meanwhile, following The Hand attack on her hospital in Daredevil season 2, Claire Temple arrives home in Harlem to figure things out, and finds out the man she treated in the Jessica Jones finale, Luke Cage, is here as well.

The Cage-Stokes conflict reaches its boiling point during Pop’s funeral, when both men make their speeches about the deceased.

What did you think of how the episode presented the continued war between Luke and Cottonmouth?

Aranwe: This was one of my favorite episodes, with clear action-reaction happenings across the board, nicely setting up the events of the next few episodes while still being relatively self-contained. We get a glimpse into the hassle of being a successful crime lord, as Stokes has to deal with a dozen different things at once. Seeing Luke Cage as a straight up hero helping people who ask for it is the kind of thing you want from a superhero show, and it is pretty damn good.

The funeral scene once again tied the two sides of Harlem together again, and the difference between Luke’s and Stokes’ speeches reflected the different perspectives of both sides nicely.

Adrian: I agree, Aranwe. I liked seeing Luke fulfill the role of superhero. The episode culminating with Luke and Cornell essentially giving election speeches to the constituents of Harlem was satisfying; the episode opened with a performance by Jidenna 'Long Live the Chief,' a cool track which set a great tone for this. Side notes: the scene where Cornell kills Koko after he struggles to put together a coherent strategy for dealing with Luke Cage was funny, sad, and slightly intriguing (the book Koko got his idea from is Can’t Stop, Won’t Stop by Jeff Chang, which he apparently was enjoying so much, he brought it to Cornell's meeting and couldn't shut up about it). I wonder how much that book's stories and accounts play into this season.

Ivonne: Luke helping out the “little people” gave me all kinds of the warm fuzzies. You know, a lot of the Marvel properties are preoccupied with large global problems, although every now and again they manage to sneak in something of the concerns of the “common folk” (like in Civil War when Miriam reminds Tony Stark of the cost of his superheroics, when she tells him about her son that died in Sokovia). But honestly, it’s really nice that the Netflix shows, and this one in particular, focus on the more immediate problems of the less-well-to-do. I think Luke Cage did that better than anyone. Especially after his reluctance early on, it seemed like he was really starting to feel just how good it felt to use his abilities to help people. It was a great look on him.

I adored the “Battle of the Speeches” that Cornell and Luke engaged in at Pop’s funeral.

And I was ridiculously happy to finally see Claire enter the arena. Claire Temple is everything.


Dominik: Scarfe finally contacts Stokes about his weapon shipment to extort more money out of him. The short-tempered gangster just empties the cop’s own gun at him and leaves him to die. Badly wounded Scarfe manages to arrive at the barbershop and convinces Luke (now joined by the newly met Claire) to help against Cottonmouth in exchange for information on the gangster’s empire that the dirty cop has hidden in his flat. Perez, revealed to be another police officer on Stokes’s payroll, tries to find Scarfe and end his life permanently. He takes Misty with him, to his own undoing, because by the end of the episode she arrests him after tricking him into confessing to working for Stokes. Luke and Claire try to get Scarfe to 1 Police Plaza, hounded by Cottonmouth’s mercenaries, but he ends up dying from blood loss in Misty’s arms. Based on his ledger, Stokes is arrested, but Captain Audrey is worried about the fallout from another case of police corruption after the Wilson Fisk case.

In the midst of all this chaos, Mariah Dillard is making a live TV interview. What she thinks will be a fluff piece for her election campaign turns out to be the public reveal of her connection to Cottonmouth, casting shade on her public persona.

What did you think of the conclusion to this portion of the episodes? What are your reflections on the now deceased Detective Scarfe?

Aranwe: Overall, a strong ending of sorts to the first half of the season. Claire fits as effortlessly into the world of Luke Cage as she did in Daredevil or Jessica Jones, and it almost feels like she was always there all along. We get some great action and suspense as Luke and Claire try to get Scarfe to 1 Police Plaza while avoiding both Stokes’ thugs and police officers alike.

Scarfe was an interesting character. It’s hard to feel sorry for a corrupt police officer, but I kind of do. He was likeable, and it was clear him and Misty had a strong friendship. With Stokes in custody, and Mariah’s political career seemingly falling apart, it seems everything is wrapped up– but with another seven episodes to go, things aren’t quite as neat as they seem.

Adrian: I was glad to see that Scarfe was given a decent backstory, that his corruption was rooted in disillusionment following his son's death, rather than being motivated by simple greed or a lack of principles. It was hardly a shame to see him go; he was relevant and effective throughout. Other satisfying moments: seeing Misty clue in and handle Perez solo was pleasing. The positive glee with which Mariah's interviewer confronted Mariah with was hilarious! I like to think she’d been trying to expose Mariah for years and finally felt like she had something juicy and couldn’t resist. Lastly, seeing Claire chase down her mugger was excellent. She's a very courageous and admirable character, an easy favorite. Rosario Dawson might have best role in Marvel TV: she gets to be on all the shows! Her and Luke have perfect, lovable chemistry. I ship them.

Ivonne: I’m still mad that Scarfe, likeable jerk that he was, turned out to be dirty. But like Adrian, I did enjoy the backstory and understanding why he turned out to be dirty. I think I personally took as much pleasure in Mariah’s fall as the reporter did. I was really starting to dislike her. Of course, I was perfectly aware that this episode was wrapping up the first half of the show quite nicely. Too nicely, perhaps. I think one of the things I love about Luke Cage is that it wasn’t terribly predictable. The narrative managed to surprise me all the time, and not in a negative way.

Anyway, I knew things would go south after this episode, but I don’t think I was prepared for the level of intensity this show turned on in the second half.

SNL Scraps: Tom Hanks Goes Parachuting In The Newest Promos



Saturday Night Live has released a bounty of clips for this week's episode, including a special teaser for Tom Hank's latest episode.


This one jokes about Tom Hank's long acting career with a montage of almost all of his eight hosting appearances and eight cameos, including one during the second presidential debate sketch back in 2012. At the end, a smiling Hanks hopes that maybe now Lorne will give him his big break. I did get a little misty during the teaser, when audio footage from Don Pardo began to play.

The comment section joins in on the joke, with multiple people saying that they don't recognize him or asking if he's just a really obscure cast member. My favorite would have to be this one, saying "Such an underrated actor. Hope he gets more attention after this!"

Another short teaser features stock quotes from the election coverage over clips from the first two election debate cold openings. I really hope that they take on Trump's calls for SNL to be cancelled right in the start, preferably with some self-deprecation.


Meanwhile, the main promos feature Tom Hanks and comedy great Leslie Jones in an eclectic bunch of skits that feature parachuting, Leslie flirting with Tom, and security coming to drag the two of them off the roof. "Run, Forest, run," indeed. Finally, the last video is a quick teaser featuring Cecily Strong asking Hanks and musical guest Lady Gaga a question. 

I'm pretty excited for the episode, seeing as Tom and Lady Gaga have had great episodes on the show before. Providing the comedy perks up from last week, I see no reason to fear. What do you think? Tell me in the comments below!

Zachary Krishef is an evil genius. Do not question his knowledge of Saturday Night Live trivia or Harry Potter books.

Star Wars Rebels Recap - S03E05 - "Hera's Heroes"


At the end of last week’s Rebels recap, I mentioned "Hera’s Heroes" will continue the trend of episodes focusing on non-Jedi Ghost crewmates. And that’s true but it’s also connected to the season-long main plot.

(Spoilers beyond this point.)

The Ghost arrives with another supply mission to Hera’s homeworld, the Twi’lek planet Ryloth, and its crew finds out a lot has changed since their last visit. The previously incompetent Imperial Captain Slaven has started showing surprising strategic skills, which allowed him to capture, among others, Hera’s home province. More importantly to her, the Kalikori, a traditional Twi’lek family heirloom and her only remaining link to her mother, has been lost to Slaven. With her friends’ help, Hera takes it upon herself to retrieve it.


This is the third Hera-focused episode since season 2 started exploring its non-Jedi characters and their backstories. "Wings of the Master" tested her pilot skills to their limits; "Homecoming" dealt with her past with her father, Cham Syndulla (a returning Clone Wars character). This time, the show shines more of a spotlight on her connection to her family.


This is explored upon by her desire to retrieve the Kalikori. It’s a traditional Twi’lek totem, representing its family’s history, with each generation adding a new piece of art to the whole – resembling Earth heritage quilts in that regard. The Syndulla Kalikori was important to Hera’s mom, and with her gone, the Ghost’s captain is determined to get it back.


But that’s not exactly easy, as the characters finally meet their new antagonist and the architect behind Slaven’s new strategic achievements – Grand Admiral Thrawn. Thrawn once again proves his superior intellect by quickly realizing the Rebels have infiltrated his headquarters in the Syndulla home and by deducing Hera’s identity. She is visibly more disgusted by him then Slaven; the latter is openly xenophobic, but the man’s a complete moron (in fact, it’s amazing he was promoted to the rank of a Captain). Thrawn meanwhile fetishizes Twi’lek culture and art, treating Hera herself as a work of art to be admired, and the Kalikori as another piece in his collection, explaining his treatment as a method of "honoring" it, while ignoring its value in the Twi’lek culture. It’s a more subtle form of racism than Slaven’s, but racism nonetheless. No wonder Hera would rather destroy the Kalikori than let it fall into his hands.


This is a neat foreshadowing of how she manages to escape Imperial clutches with Ezra and Chopper. When Slaven sets up a trap – with Thrawn as the brains, obviously – for Cham Syndulla in exchange for Hera’s freedom, she comes up with a plan to distract the Imperials by blowing her entire family home up. She’s able to let go of the past in order to protect her current family – the /Ghost/ crew.

Next time, we’ll cover "The Last Battle," an episode with connections to The Clone Wars. I’ll see you then.

Dominik Zine is a nerdy demisexual lad from northeastern Poland and is generally found in a comfy chair with a book in hand.

Critical Hits & Misses #52





For today's musical hit, listen to and watch the soothing sounds and visuals of Maggie Roger's new video, "Alaska." (Ivonne)



Today's critical rolls:
1. What game do you hope most for on The Nintendo Switch?

— Critical Writ has a super-duper strict comment policy that specifies a single rule above all others: don't be a bad omelet.